Job Reproved by His Friends

James Barry Irish

Not on view

Job sits on the ground with his hands clasped, resigned to suffering, as lightning strikes his distant house and the bodies of his sons are borne away. As Job’s wife points toward heaven, friends have gathered to offer advice, including Elihu (the young man standing at left), Liphaz, Bildad, and Zophar (seated on the ground). One of Barry’s most dramatic aquatints and his most impressive biblical composition, the image encapsulates the aesthetic concept of the Sublime as formulated by Barry’s mentor and patron, the philosopher Edmund Burke. In a famous treatise from 1757, Burke, to whom the print is dedicated, presents the noble suffering and elemental violence in the story of Job as exemplifying the "boundless magnitude of God’s overwhelming power."

Job Reproved by His Friends, James Barry (Irish, Cork 1741–1806 London), Etching over traces of aquatint; third state of five

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.