Best Underwater Cameras for 2023: The year of the Mirrorless Cameras
As divers and underwater photographers, we at Mozaik Underwater Cameras understand the difficulty of choice. With so many great cameras out there, which type of underwater camera is best for you – compact? Mirrorless? DSLR? And which camera model is right for you?
In this in-depth article, we’ve put together a thorough list of the best underwater cameras available in 2022 in all categories, as well as detailed the top features you have to consider when selecting your underwater camera.
BTW, worth noting that COVID significantly slowed down R&D and the introduction of new cameras. For example the Olympus TG-6 and Cann G7X III have been the latest models in their category for more than 3.5 years. Lucky for us, they are good cameras.
This article was originally co-written by Ran Mor and Brandi Mueller and updated by Tal Mor and Morgan Bennett-Smith. We’ll keep updating the article as new models are released or discontinued. Last updated October 2023.
Quick links:
Here is a quick list of our top underwater cameras:
Entry Level Compacts (Camera+Housing Below $1200, worth mentioning a Gopro is also an option at $400)
Olympus TG-6 / TG-7 | Canon G7X Mark III
High-end Compacts (Camera+Housing $1,100-$1799)
Sony RX100 Mark VII | Panasonic LX 10
Micro 4/3 Mirrorless Cameras
Panasonic GH6 |OM System (Olympus) OM1 |Olympus E-M1 Mark III |Olympus OM-D EM-10 IV
Cropped Sensor Mirrorless Cameras
Sony A6600 | Canon R7 | Canon R10 | Canon R50 | Canon R100
Full Frame Mirrorless Cameras
Sony A1 | Canon EOS R5 | Nikon Z7 II | Sony A7S III | Canon R8 | Nikon Z8
Full-Frame and Cropped DSLR
Nikon D850 | Canon 5D IV | Canon EOS 250D / Rebel SL3
Cameras We’re Excited to see in 2023
OM5 | Canon R1 | Sony A7R V
What to consider when looking for the best compact camera for underwater photography?
In many ways, compact cameras are an ideal choice for underwater photography.
As divers, we all know how difficult it is to carry all this gear, especially when traveling to remote locations. Size is a huge consideration! Since an external housing is needed and is usually 2-3 times larger than the camera itself, you want the camera to be as small as possible, to begin with.
A few years back, getting a compact camera was a major compromise on quality compared to higher-end DSLR’s. However, these days, technology has advanced so much that compact cameras are extremely capable of producing stunning image quality, which can be used even for commercial purposes, large prints and photo contests.
When choosing a compact camera for underwater use, these are the top features you should consider:
- Size
Small size is a big advantage when choosing an underwater camera. However, some people actually prefer a larger camera and feel more secure or steady with it. Especially when shooting topside. A small camera in big hands may feel somewhat awkward. - Battery life
A smaller size means a smaller battery. Having good battery life means fewer battery swaps which require opening the housing and risking the seal between dives. - Lens and minimum focus distance
Since compact cameras have fixed lenses, it’s important to notice which lens you’re getting. Sony has excellent Zeiss optics, which are regarded very highly in the industry. Panasonic uses Leica which is also famous for super sharp optics.
Make sure you notice the zoom range and how wide your widest setting is (24mm is standard these days).
The minimum focus distance is very important if you plan on shooting macro photography without any additional accessories. - Housing options
This is crucial if you plan to use this camera underwater. Some camera models have little or no housing options, so even if the camera is perfect for you, you may end up disappointed with your housing. Some models are very popular among housing manufacturers, such as the ones mentioned here, so there are plenty of options to choose from. - Video Capabilities
Many compact users like to shoot a mix of both photos and videos. Compact cameras are excellent for this since most of them produce great video and make it very easy to switch between the video and stills. If you plan on shooting a lot of videos, make sure you compare the video capabilities between different models. Some offer more features and can do neat tricks such as super slow motion.
Best Entry Level Compact Underwater Cameras
Olympus TG-6 / TG-7
The Olympus TG-7 is an incredible imaging tool. It is the new model of the TG-6 and very similar to it. This camera is still the best selling compact camera for underwater photography as of Oct. 2023. Built with adventure seekers in mind, it’s shockproof, freezeproof, waterproof (to 45ft without the housing), dustproof and basically lifeproof. It was only natural that divers would adopt it as the go-to camera to document their adventures. Olympus has always targeted its Tough series towards divers by producing their own underwater housings to increase the depth limit and allow external accessories to be mounted such as lenses and lights.
The TG-7 is the most recent in the popular series and like its predecessors, it has become incredibly popular among underwater photographers.
TG-6 / TG-7 Highlights
Sensor | 12 MP 1/2.33″ inch |
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Lens | 25mm – 100mm , F2.0 – F4.9 |
Video | 4K (30fps), 1080p (120fps) |
Minimum Focus Distance | Standard – 10cm, Super Macro: 1cm – 30cm |
ISO | 100 – 12800 |
Burst Shooting | Up to 20fps |
Special Features | Lifeproof, Microscope mode, Field Sensor System (GPS, Temperature and more), HDR |
Pros
- Easy to operate.
- Useful underwater modes which work great.
- Waterproof body – lower risk in case of housing flood.
- Outstanding built-in macro performance.
Cons
- No manual mode (M). This is the main drawback of the Tough series, likely done purposely by Olympus for various reasons.
- Small sensor, image quality not as good as its 1″ sensor rivals.
- More o-rings to maintain and keep lint-free.
Underwater Housing Options for the Olympus TG-6 / TG-7
Canon G7X Mark III
The Canon G7X III is Canon’s most recent addition to their popular G series. This time around Canon is targeting vloggers, so they’ve significantly improved video capabilities and added an external mic jack, as well as the option to live stream your video to YouTube. While we probably won’t be using the mic jack underwater, or broadcasting ourselves live from 100ft, the 4K video makes this upgrade worthwhile!
The new Canon also supports a mindblowing 30fps RAW burst shooting, to ensure you nail fast action shot. It can also shoot HDR (High Dynamic Range) video.
Important note – when first released the G7X III had some issues with Auto Focus. You may encounter some online reviews mentioning this. However, Canon quickly released a firmware update which rectified those issues and the auto focus is now lighting fast and accurate.
G7X Mark III Highlights
Sensor | 20.2 MP / 1″ inch CMOS |
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Lens | 24mm – 100mm , F1.8 – F2.8 |
Video | 4K (30fps), 1080p (up to 120fps) |
Minimum Focus Distance | Standard – 5cm – infinity, Macro: 5cm – 50cm |
ISO | 125 – 12800 |
Burst Shooting | Up to 30fps (RAW only) |
Special Features | Live streaming to YouTube |
Pros
- Excellent image quality
- 4K video
- Capture stills while recording videos
- External mic jack – if you use it for video above water
- Portrait video mode for social media
Cons
- Not the most impressive minimum focus distance (5cm)
- Same lens as G7X Mark II – soft corners at widest setting
Underwater Housing Options for the Canon G7X Mark III
Best High End Underwater Compact Cameras
Sony RX100 Mark VII
The Sony RX100 Mark VII is the most recent addition to the world’s leading compact camera series – the RX100’s. It’s safe to say that to date, the Sony RX100 series is the leading choice for compact shooters underwater.
With the Sony RX100 VI, Sony ventured into the world of ultra zoom compacts, by modifying the lens on the RX100 VI to 24-200mm, significantly more than its predecessor with the 24-70mm lens. The same lens was carried on to the RX100 VII. For underwater photographers, this is both a curse and a blessing – on one hand, you get more zoom to play around with, and utilize it for increased working distance and more magnification when shooting macro. On the other hand, housing manufacturers have a harder time supporting it, and compromises like interchangeable ports need to be made, in order to properly support the full range of the zoom.
Using it for macro can be challenging but very rewarding and you may require different diopters for different types of shots.
RX100 VII Highlights
Sensor | 20.1 MP / 1″ inch Exmor RS CMOS |
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Lens | 24mm – 200mm ,F2.8-F4.5 |
Video | 4K with full pixel readout (30fps), 1080p (120fps) |
Minimum Focus Distance | 8 cm / 0.27 ft |
ISO | 64 – 25600 |
Burst Shooting | Up to 90fps (WOW!) |
Special Features | Microphone input, 1/32000 sec max shutter speed, S-Log2, S-Log3 and HLG profiles |
Pros
- Long zoom range – 24-200mm (x8)
- Fastest and more responsive compact in the market
- Stunning image quality and sharpness
- Excellent video capabilities
- Super macro can be achieved with the proper diopter
Cons
- Less housing options available due to long lens
- Requires interchangeable ports
- Macro is challenging due to the lens’ extreme zoom
- Pricey
- No manual flash output
Underwater Housing Options for the Sony RX100 VII
Panasonic LX10
The Panasonic LX10 is a more affordable competitor for the Canon G7X II and the Sony RX100 V / VI.
Panasonic did a great job with this model, packing excellent features into this compact camera, without compromising on image quality. The LX10 produces stunning 20MP stills and 4K videos. Actually, video is where it really shines. Panasonic have plenty of experience with video from their popular GH4 and GH5 cameras and they have integrated that experience and some great advanced features, into the LX10. Zebra striping and focus peaking are available and incredible useful for videographers.
The LX10 is the only compact we know that offers back focus AF – a feature usually found in DSLR’s or mirrorless cameras and very useful for composing shots properly in-camera.
A significant advantage is has over the Canon and Sony alternatives, is accurate and easy white balance, even at deeper depths.
Panasonic LX10 Highlights
Sensor | 20.1 MP / 1″ inch High Sensitivity MOS sensor |
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Lens | 24mm – 72mm , F2.0 – F4.9 |
Video | 4K (30fps), 1080p (120fps) |
Minimum Focus Distance | Standard – 30cm, Macro – 3cm |
ISO | 80 – 25600 |
Burst Shooting | Up to 10fps |
Pros
- Excellent image quality – video and stills
- Great WB capabilities
- Advanced features for video shooting
- Affordable
- Back focus available
Cons
- Not many housings available for it
- No manual flash control
Underwater Housing Options for the Panasonic LX10
What to consider when looking for the best Mirrorless Camera for Underwater Photography?
Mirrorless cameras have taken the underwater world by a storm. Gone are the days when you had to carry a massive rig to get professional quality and interchangeable lenses. Mirrorless cameras nail it when considering the requirements of the avid UW photographer.
Many underwater photographers today believe that mirrorless is the best type of underwater camera.
Divers who are looking for a more professional kit than your average compact, with control over their optics and the ability to change ports according to different shooting types, would be wise to consider a mirrorless before opting for a bulky DSLR.
The advantage is clear – A mirrorless rig weights about half and takes up much less space in your already overloaded baggage when traveling.
When looking into a mirrorless setup, the important things to consider are:
- Photo or Video? This is an important question when deciding on a camera body in 2022. These days, mirrorless bodies are either “photos first” (i.e. they are really designed and marketed to photographers), “videos first” (i.e., aimed at people who mainly shoot videos), or “hybrid” (i.e., aimed at people who do a little of both.) So, before buying your camera body, consider what you want to shoot, beforehand. Cameras like the Panasonic GH6 or the Sony A7S III are aimed squarely at videographers, although they can also take stills. They have higher end features in terms of video codecs, frame rates, etc., that you may not need as a stills photographer. Meanwhile, a terrific stills camera like the A7R IV may not have the video features you’re looking for if you’re a videographer.
- Lens Options
This one is first for a good reason. Mirrorless cameras greatly depend on the actual optics produced for them, and brands vary greatly on the lens selection they offer. In 2022, mirrorless lens lineups from the major manufacturers are continuing to grow – Canon, for example, is exclusively focusing its lens R and D on the RF lens mount (mirrorless). However, some manufacturers may not have the exact lens you want. Sony, for example, doesn’t have a fisheye lens yet – although you can use the Canon 8-15 with an adaptor. Think about these things first! Bottom line – research your lens options, probably before your camera body. - Housing options
Again, this is crucial if you plan to use this camera underwater. Some camera models have little or no housing options, so even if the camera is perfect for you, you may end up disappointed with your housing. Some models are very popular among housing manufacturers, such as the ones mentioned here, so there are plenty of options to choose from. - Customization and advanced features
Some mirrorless cameras offer a very high level of customization. Olympus are notorious for that. While some users would love that and will set up the buttons exactly how they want them, others may be overloaded by that and get confused with so many custom buttons.
In addition, some cameras offer very specific advanced features which are great for videographers, such as the GH6, so that would be an important consideration. - Price
Mirrorless cameras vary a LOT in price. From a simple older model like the Sony A6000 ($600 USD with lens) to the high-end full-frame Sony A1 ($6500 USD body only).
When considering your options, take the camera body into consideration, but also the lenses you plan to get and the housing and ports for those lenses. You may opt for a more advanced camera and get a more basic housing, or the other way around, depending on your preferences.
Best Micro 4/3 Mirrorless Underwater Cameras
Micro Four Thirds cameras have a 4:3 aspect ratio. Physically, the camera sensors are 17.3mm wide by 13mm high, allowing for smaller overall camera sizes overall. They have crop factor of 2.0x relative to a full frame camera. For more on this topic, check out this article.
Panasonic GH6
For underwater shooters with a passion for both videography and still images, the Panasonic GH6 is one of the best for video. The GH6 can shoot at 5.7k in ProRes, which is amazing from a M 4/3 camera. It features a new, 25 mp sensor (the highest resolution M4/3 sensor to date), excellent video white balance features, and a speedy new Venus engine that provides twice the processing power of the previous GH5 model.
This camera is really a “video first, stills second” machine. That being said, it can still shoot good still images and is hands down our best video choice for M 4/3 mirrorless cameras.
GH6 Highlights
Sensor | Live MOS, 25.2 megapixels |
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Lens Mount | Micro Four Thirds |
Video | 5.7k 30 fps ProRes, 5.7K 60fps MP4/Mov |
Weight | 823g with batteries |
ISO | Auto, 100-25600 |
Burst Shooting | 14 fps in RAW mechanical, 75 fps electronic |
Special Features | Magnesium alloy body, environmentally sealed, 5-axis stabilization, 100-Megapixel JPEG and RAW images in “Multi-shot” mode |
Pros
- Built-in fan allows unlimited recording
- 5.7K 60p video or 5.7k 30p ProRes
- Excellent stabilization in video
- Better ability to white balance underwater
- Focus peaking
- Low light performance
Cons
- Size –larger and heavier than many other mirrorless cameras.
- Autofocus, particularly in live view, is a little slow.
Underwater Housing Options for the Panasonic GH6
OM System (Olympus) OM-1
The OM System OM-1 is the first high-end Micro Four Thirds mirrorless camera from OM Digital Solutions, the company that bought the Olympus camera business. It’s a rugged, image-stabilized 20MP camera capable of high-speed shooting and offering a range of computational photography modes.
The OM-1 is built around a new 20MP Stacked CMOS image sensor. Stacked sensors are the next generation of technology after BSI designs, combining layers of semiconductors to allow more complex designs and faster readouts.
In keeping with the legacy of the OM-D line, the new OM-1 features outstanding weather sealing, outstanding image stabilization, fast burst shooting, and a compact physical design. If you’re mainly looking to create still images and not video, the OM-1 is the best choice for an underwater mirrorless camera in 2022.
OM-1 Highlights
Sensor | 20MP quad-pixel AF Stacked CMOS sensor |
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Lens Mount | Micro Four Thirds |
Video | 4K (UHD or DCI) at up to 60p, in a choice of 8 or 10 bit |
Weight | 599g with batteries |
ISO | Auto, 80-25600 (expands to 80-102400) |
Burst Shooting | 50 fps with autofocus, 120 fps with AF and AE lock |
Special Features | Recognition-based subject tracking, environmental sealing rated to IP53, 1053 X-type AF points |
Pros
- Slightly improved autofocus and sensor from EM line
- Really exciting Deep Learning autofocus and other computational photography tools
- Incredibly good weather proofing
- Very fast shooting on land
- 4k 60p is also good for underwater video
Cons
- Flash sync speed is only 1/250
- Burst mode not compatible with strobes, so not as useful underwater
- Accessory flash prone to becoming disconnected and cannot reattach without opening housing.
Underwater Housing Options for the Olympus OM-1
OM System (Olympus) E-M1 Mark III
The Olympus E-M1 Mark III has now been succeeded by the OM-1. However, we still think it deserves a place on this list. It’s an excellent imaging machine and remains a top choice in the Micro 4/3 segment, and because it is older (although not that old yet) there are likely to be more deals on this model than the OM-1.
E-M1 Mark III Highlights
Sensor | 20.4 Megapixel Live MOS |
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Lens Mount | Micro Four Thirds |
Video | 4K/30p |
Weight | 574g with batteries |
ISO | Auto, 64-25600 |
Burst Shooting | 60fps (electronic shutter), 15fps (mechanical shutter) |
Special Features | Dust, splash and freeze proof, improved 5-axis stabilization, Bluetooth support |
Pros
- Customizable – Buttons can be customized (select from 35 functions)
- Great image stabilization for both stills and video shooting
- Easy to use menu and control panel
- Plenty of lens options perfect for wide angle and macro underwater images
- The Olympus camera and housing bundles are a great package deal
Cons
- Flash sync speed is only 1/250
- Burst mode not compatible with strobes, so not as useful underwater
- Accessory flash prone to becoming disconnected and cannot reattach without opening housing.
Underwater Housing Options for the Olympus E-M1 Mark III
OM System (Olympus) O-MD E-M10 IV
The EM10 IV can be a simple point and shoot of a sophisticated mirrorless. It is what you make of it.
The Olympus OM-D E-M10 Mark IV stands as the introductory model within the company’s DSLR-style range of Micro Four Thirds cameras, in contrast to the rangefinder-style PEN models like the E-PL10. This camera represents a notable advancement beyond the beginner-oriented E-PL series, delivering enhanced control options, improved build quality, and an expanded set of features. Equipped with a 20MP Four Thirds sensor, in-body image stabilization, a flip-down touchscreen with an intuitive interface, and 4K video recording capabilities, it offers a compelling package for photography enthusiasts.
E-M1 Mark III Highlights
Sensor | 20.4 Megapixel Live MOS |
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Lens Mount | Micro Four Thirds |
Video | 4K/30p |
Weight | 383 gr with batteries |
ISO | Auto, 64-25600 |
Burst Shooting | 60fps (electronic shutter), 15fps (mechanical shutter) |
Special Features | Dust, splash and freeze proof, improved 5-axis stabilization, Bluetooth support |
Pros
- Customizable – Buttons can be customized (select from 35 functions)
- Great image stabilization for both stills and video shooting
- Easy to use menu and control panel
- Plenty of lens options perfect for wide angle and macro underwater images
- The Olympus camera and housing bundles are a great package deal
Cons
- Flash sync speed is only 1/250
- Burst mode not compatible with strobes, so not as useful underwater
- Accessory flash prone to becoming disconnected and cannot reattach without opening housing.
Underwater Housing Options for the Olympus E-M10 Mark IV
Best APS-C Mirrorless Underwater Cameras
APS-C sensors are bigger than micro 4/3 sized sensors, but smaller than full frame sensors. For more on this topic, check out this article.
Sony A6600
The Sony a6600 is a great option for flexibility. The small size and light weight feels like a compact, but its exceptional performance shoots like a full frame camera. Shooters have the ability to keep it simple and small with easy to use auto functions and just a single lens; or expand its capabilities by shooting in manual and adding other lenses and accessories. Even underwater it can be set up as a simple underwater rig or with many lenses and ports, wet mount lenses, and strobes fired by slave or sync, etc. Not only will Sony lenses work on this camera, but with an adapter you can use Canon mount lenses including the underwater photographer favorite, the Tokina 10-17mm fisheye.
The 24MP camera can shoot 4K video and particularly shines when shooting macro underwater and focus peaking makes it easy to confirm focus on the 3” screen or optical viewfinder by showing areas in focus as a color. Improvements from the a6300 include 5 axis in-body image stabilization, improved autofocus and burst shooting, and a touchscreen LCD. One downside from the a6300/a6500 is that the built in flash was removed.
A6600 Highlights
Sensor | CMOS APS-C 23.5 x 5.6 mm), 24 megapixels |
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Lens Mount | Sony E-Mount |
Video | 4K (30fps) |
Weight | 453g with batteries |
ISO | Auto, 100-32000 (expandable to 102400) |
Burst Shooting | 11fps in RAW with 100 shot buffer |
Special Features | Weather-sealed magnesium-alloy body. 5 axis in-body image stabilization. |
Pros
- Size: feels like a compact but shoots like pro
- Versatility
- Lens choices: Sony; Canon mount lenses with an adapter; wet mount lenses
- Low noise performance and great image quality
- Focus Peaking to confirm focus.
- Excellent 4K video, particularly for macro shooting
Cons
- Wet lenses lose a bit of coverage and there is sometimes vignetting
- No ability to set manual flash power on internal flash
- Slow recycle time of internal flash which slows down shooting when slave connecting strobes
- Fastest flash speed sync limit is 1/160
- Video crop is 20% of sensor area.
- White balance capabilities not ideal for underwater (tops out at 9900K)
- Battery life low when shooting a lot of 4K video
- No built in flash for strobe triggering
Underwater Housing Options for the Sony A6600
Canon EOS R7
The new Canon APS-C mirrorless camera is finally here! The Canon EOS R7 utilizes Canon’s newest RF mount and boasts a 32.5MP CMOS sensor. The EOS R7 is a natural mirrorless successor to the Canon 7D, like how the R5 is a successor to the 5D series, and continues a tradition of excellent Canon crop-sensor cameras.
With speed that beats the Canon R3 and resolution second only to the Canon R5, the Canon EOS R7 is a remarkable camera. As with Micro 4/3 camera users, APS-C shooters often actually prefer the crop factor of their sensors for applications like wildlife photography, and underwater photography can also benefit from this crop. With its combination of resolution, speed, and crop factor, this is a terrific option and our favorite APS-C underwater camera.
R7 Highlights
Sensor | 32.5MP APS-C |
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Lens Mount | Canon RF Mount |
Video | 4K 60p, 4K 30p (oversampled 7K), 1080p 120p |
Weight | 612g with batteries |
ISO | Auto, 100 to 32,000 (exp to 51,200) |
Burst Shooting | 30fps electronic, 15fps mechanical |
Special Features | Weather-sealed, in-body image stabilization, articulating touchscreen |
Pros
- Very fast performance
- Great (and growing) RF lens mount lineup
- Very good resolution performance for APS-C
- Outstanding 4K video features
- Articulating screen is a plus
Cons
- RF mount lenses are on the expensive side
- Control wheel is a little strange and takes some getting used to
Underwater Housing options for Canon R7
Canon EOS R10
The super affordable Canon APS-C mirrorless camera is here and so popular for underwater photography! The Canon EOS R10 utilizes Canon’s newest RF mount lenses.
The Canon R10 has many of the features that other cameras in this series have, that includes fast 15fps shooting, fast and accurate auto focus , 4K video.
The R10 is smaller and lighter than the R7. It has a sligthly slower flash sync speed, lower res viewfinder and slower video processing but overall, its an incredible value for money and most important is that its fits in Ikelite’s small housing body and that creates a super affordable package (in Feb 2023 the bundle is $2,395 with the 18-45mm lens)
R10 Highlights
Sensor | 24.2MP APS-C |
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Lens Mount | Canon RF Mount |
Video | 4K 60p, 4K 30p (oversampled 7K), 1080p 120p |
Weight | 420g with batteries |
ISO | Auto, 100 to 32,000 (exp to 51,200) |
Burst Shooting | 30fps electronic, 15fps mechanical |
Special Features | Weather-sealed, in-body image stabilization, articulating touchscreen |
Pros
- Very fast performance
- Great (and growing) RF lens mount lineup
- Very good resolution performance for APS-C
- Outstanding 4K video features
- Articulating screen is a plus
Cons
- RF mount lenses are on the expensive side
- Control wheel is a little strange and takes some getting used to
- Short battery life
Underwater Housing options for Canon R10
Canon EOS R100
The super affordable Canon APS-C mirrorless camera is here and so popular for underwater photography! The Canon EOS R100 utilizes Canon’s newest RF mount lenses.
The Canon R100 has many of the features that other cameras in this series have, that includes fast 15fps shooting, fast and accurate auto focus , 4K video.
The R100 is smaller and lighter than the R10. It has a lower res viewfinder and slower video processing but overall, its an incredible value for money and most important is that its fits in Ikelite’s small housing body and that creates a super affordable package (in Oct 2023 the bundle is $1,800 with the 18-45mm lens)
R100 Highlights
Sensor | 24.2MP APS-C |
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Lens Mount | Canon RF Mount |
Video | 4K 30p (oversampled 7K), 1080p 120p |
Weight | 356g with batteries |
ISO | Auto, 100 to 32,000 (exp to 51,200) |
Burst Shooting | 30fps electronic, 15fps mechanical |
Special Features | Weather-sealed, in-body image stabilization, articulating touchscreen |
Pros
- Fast performance
- Great (and growing) RF lens mount lineup
- Very good resolution performance for APS-C
- Articulating screen is a plus
- Very low price
Cons
- RF mount lenses are on the expensive side
- Control wheel is a little strange and takes some getting used to
- Short battery life
Underwater Housing options for Canon R100
Canon EOS R50
The most affordable Canon APS-C mirrorless camera is here and is going to be very popular for underwater photography due to its affordable Nauticam housing! The Canon EOS R50 utilizes Canon’s newest RF mount lenses.
The Canon R50 has many of the features that other cameras in this series have, that includes fast 15fps shooting, fast and accurate auto focus , 4K video.
The R50 is smaller and lighter than the R10. Most important is that its fits in Nauticam’s new fixed port compact housing and that creates a super affordable package (in May 2023 the bundle is $2,294 with the 18-45mm lens)
R50 Highlights
Sensor | 24.2MP APS-C |
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Lens Mount | Canon RF Mount |
Video | 4K 30p , 1080p 120p |
Weight | Only 375g with batteries |
ISO | Auto, 100 to 32,000 (exp to 51,200) |
Burst Shooting | 15fps electronic, 12fps mechanical |
Special Features | Articulating touchscreen, webcam mode |
Pros
- Small, light and inexpensive
- Great (and growing) RF lens mount lineup
- Very good resolution performance for APS-C
- Articulating screen is a plus
Cons
- RF mount lenses are on the expensive side
- Short battery life
- Only 30 fps in 4K Video
Underwater Housing options for Canon R50
Best Full Frame Mirrorless Underwater Cameras
Canon EOS R5
The Canon EOS R5 is Canon’s most recent challenger in the full-frame mirrorless market, particularly aimed at competing with the powerful Sony A7R IV.
Building off the popular DSLR workhorse, the Canon EOS 5D IV, the R5 inherited similarly solid ergonomics but with a bevy of new features in a mirrorless body. With a new, full-frame 45MP Dual-Pixel CMOS sensor, in-body image stabilization, 8K video recording, and fast shooting speeds, Canon has raised the bar in their commitment to high-end mirrorless cameras.
Underwater photographers will be especially pleased with the excellent resolution and dynamic range, and for motion shooters, the increased burst shooting rates.
This camera is also particularly attractive to Canon shooters looking to upgrade to a powerful full frame mirrorless body. For Canon shooters who already own Canon glass, this camera is a logical upgrade over similar models from other manufacturers like Sony or Nikon, as it can be used with EF (with an EF-RF mount adaptor) or RF mount lenses. Adapted EF lenses perform superbly in terms of autofocus on the R5.
EOS R5 Highlights
Sensor | Full-Frame CMOS Dual-Pixel, 45 megapixels |
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Lens | Canon RF |
Video | 8K (30fps), 4k 120 fps |
Weight | 660g |
ISO | ISO 100-51200, expandable to ISO 102400 |
Burst Shooting | 12 fps mechanical, 20 fps electronic |
Pros
- Size – although larger and heavier than other mirrorless, still smaller than dSLRs; solid ergonomics
- Speed: shoots at an impressive 12 fps / 20 fps burst (mechanical/electronic shutter)
- Powerful video features: 8K video, with option for Raw or 10-bit 4:2:2 C-log or HDR PQ, 4k 120p
- Easy to use, especially for previous Canon shooters
- Extremely fast, accurate autofocus: 100% coverage Dual Pixel II AF system with human and animal detection
- Autofocus tracking is excellent
- Great resolution for cropping in post
- With an adapter, Canon EF mount lenses can also be used with no change in autofocus performance
Cons
- Expensive
- RF native lens lineup incomplete (but growing)
- 8K video feature can experience overheating issues at longer recording times
Underwater Housing Options for the Canon EOS R5
Nikon Z7 II
Nikon’s foray into the mirrorless world has been relatively successful so far, especially at the higher end of the range. The Z6 and Z7 series cameras are excellent, with the Z7 II being the current best choice of them all. The autofocus is fast and accurate, and the Z7II now features 4k60p video with almost full sensor coverage.
This mirrorless has an improved electronic viewfinder than other mirrorless cameras which often lack dynamic range and detail, which leaves a photographer uncertain of the final image when reviewing underwater. You can also review playback images in the viewfinder, so you never have to take your eye away from the viewfinder.
The main difference between the Z6 and Z7 models is megapixels (sensor resolution) and autofocus, with the Z7 being better at both.
Z7 II Highlights
Sensor | CMOS 46 megapixels (Z7) |
---|---|
Lens | Nikon Z |
Video | 4K/60p video with 93% coverage of the sensor (a ~1.08x crop) |
Weight | 675g |
ISO | 64-25600 (expands to 32-102400) |
Burst Shooting | 10 fps burst shooting with single-point AF |
Special Features | Environmentally sealed, 5-axis stabilization |
Pros
- Size – although on the larger side for mirrorless, still smaller than dSLRs
- Electronic viewfinder is excellent
- Sharp resolution
- Great image stabilization for both stills and video shooting
- White balance better than other mirrorless cameras
- Can use other Nikon lenses with adapter
Cons
- Flash sync speed 1/200s
- Battery life
- No fully-articulating screen
Underwater Housing Options the Nikon Z6 / Z7 / Z6 II / Z7 II
Sony A1
The Sony Alpha 1 (a1) is the most expensive camera on this list, and likely out of budget for many users ($6500 USD body only). It’s high price is a result of some of the most ground-breaking features we’ve seen in a mirrorless camera to date; in 2022, this camera remains probably our most capable underwater camera for hybrid users.
The A1 has a 50MP Stacked BSI-CMOS sensor and in-body image stabilization and blackout-free shooting on its 9.44M-dot (240 fps) EVF at burst rates of up to 30 fps. It has Sony’s latest autofocus system, with fast processing and face/eye/animal detection. The electronic shutter is designed to eliminate flicker and offers a flash sync of 1/200 sec (it’s an impressive 1/400 sec with the mechanical shutter).
The A1 captures oversampled 8K/30p at a bit rate of 400Mbps as well as oversampled 4K at up to 120 fps. The camera can record 10-bit 4:2:2 video, and supports S-Cinetone, S-Log2/3, and HLG Log formats. 16-bit Raw recording to compatible external recorders is also available. The A1’s body is designed to allow 30 minutes of continuous 8K recording.
Sony A1 Highlights
Sensor | Stacked CMOS 50 mp |
---|---|
Lens | Sony E-Mount |
Video | 8K (30fps) 4k 120 |
Weight | 737g |
ISO | Auto, 100-32000 (expands to 50-102400) |
Burst Shooting | 30 fps |
Special Features | Environmentally sealed, in-body image stabilization, Pixel Shift Multi Shooting’ mode combines 16 exposures into a 199MP image |
Pros
- True hybrid camera
- Autofocus very fast and accurate, machine learning built in
- Top-line 8k and 4k 120 video
- Pretty good battery life for a mirrorless
- Small size
Cons
- Very expensive
- Only tilting screen (not articulating)
Underwater Housing Options for Sony A1:
Sony A7S III (Best underwater camera for video)
Sony’s A7S Mark III is the third version of the video-focused department of the company’s a7 series of full frame cameras. It’s basically a native 4K camera with impressive video specs and a revised user interface. It can capture UHD 4K footage at up to 120p in 10-bit 4:2:2 encoding and includes 16-bit Raw video output.
This camera has been a trusted, go-to machine for countless run-and-gun video professionals working in the industry since its release. While its specifications don’t sound as flashy, it is the undisputed leader in low-light video performance, and the Sony autofocus inside is incredibly good.
Sony A7S III Highlights
Sensor | 12 MP BSI CMOS Full Frame Sensor |
---|---|
Lens | Sony E-Mount |
Video | 4K 120, 10-bit 4:2:2 internal recording |
Weight | 657g |
ISO | ISO 80-102,400. “Low Base” and “High Base” (effectively dual gain) ISO capability for better low light shooting |
Burst Shooting | 10 fps |
Special Features | 16-Bit Raw Output, HLG & S-Cinetone, 759-Point Fast Hybrid AF |
Pros
- Outstanding low-light performance
- Outstanding autofocus
- S-LOG, HLG, Cine logarithmic picture profiles available
- No recording time limits.
- Great dynamic range
Cons
- Could be limited by heat (4K @ 60p for at least an hour)
- Really focused on video, not ideal for hybrid shooters
Underwater Housing Options for A7S III
(Honorable Mention) Sony A7R IV
The Sony A7R IV is a few years old now, and the Sony A1 has really stolen the spotlight from this camera. However, for the better part of two years, this was basically the best mirrorless camera you could buy. It is still, unsurprisingly, an outstanding choice. Like the EM1 III which we left on this year’s 2022 list, we think this is a terrific camera that might see discounts compared to newer models and we feel great about recommending it for that reason. It’s also worth mentioning that the Sony A7R V will be coming out soon, which will drive the price of this model down further.
The A7R IV’s sensor is a giant leap from the A7R III, boasting 61MP back illuminated full frame sensor. The means incredible image quality, unmatched dynamic range and superb low light capabilities. Autofocus speed and accuracy have improved over previous models, particularly in low light. The camera has room for two memory cards and battery life has improved.
This camera is great for the underwater shooter because it has lots of customizable buttons, focus peaking in manual focus mode shows focused areas highlighted with color to guarantee image focus. White balance has improved from the previous model and is better than most other mirrorless cameras, although it still isn’t perfect for blue water. The pixel shift feature lets image makers create super high res composite images, however, while taking the images the camera must be completely still (like on a tripod) for it to work.
A7RIV Highlights
Sensor | BSI-CMOS, 42 megapixels |
---|---|
Lens | Sony E-Mount |
Video | 4K (30fps) |
Weight | 657g |
ISO | Auto, 100-32000 (expandable to 50-102400) |
Burst Shooting | 10fps in Raw with a 76 image buffer |
Special Features | Environmentally sealed, 5-axis stabilization |
Pros
- Size – small and lightweight but takes incredible images and video
- 61MP sensor
- Autofocus fast and accurate
- Full sensor 4K video
- Lots of lens options including Canon with an adapter and wet mount lenses
- Focus peaking
- Increased battery life
Cons
- For a mirrorless it is larger and heavier than others
- White balance better that previous model, but still gives blue water a purple hue (can usually be fixed post-process)
- While autofocus speed and accuracy have improved, it still struggles with super macro
- Need high speed/high performance SD card when shooting and lots of storage space for post processing
Underwater Housing Options for the Sony A7IV
Canon EOS R8
The most affordable Canon full frame mirrorless camera is here and so popular for underwater photography, mainly because it fits in the Ikelite compact housing.
The Canon R8 has many of the features that other cameras in this series have, that includes fast 15fps shooting, fast and accurate auto focus , 4K video.
The R10 is smaller and lighter than the R7. It has a sligthly slower flash sync speed, lower res viewfinder and slower video processing but overall, its an incredible value for money and most important is that its fits in Ikelite’s small housing body and that creates a super affordable package (in May 2023 the bundle is $3,245 with a dome port for the 24-50mm lens)
R8 Highlights
Sensor | 24.2MP APS-C |
---|---|
Lens Mount | Canon RF Mount |
Video | 4K 60p, 4K 30p (oversampled 7K), 1080p 120p |
Weight | 461g with batteries |
ISO | Auto, 100 to 32,000 (exp to 51,200) |
Burst Shooting | 30fps electronic, 15fps mechanical |
Special Features |
Pros
- Very fast performance
- Great (and growing) RF lens mount lineup
- Affordable Full Frame
- Outstanding 4K video features
- Very Small Size
Cons
- No in-body stabilization
- Single mechanical curtain
- Short battery life
Underwater Housing options for Canon R8
Nikon Z8
Incorporating the essence of its flagship predecessor, the Nikon Z8 emerges as a compact and lightweight camera, harnessing much of the cutting-edge technology found in the Z9 but in a more streamlined and portable form. Recognized as the ultimate hybrid camera, the Z8 inherits the same formidable sensor, processing capabilities, and autofocus prowess from its flagship counterpart, all wrapped in a fresh body design that caters to applications like gimbal use, event shooting, and handheld versatility.
Utilizing the identical sensor introduced in the Z9, the FX-format 45.7MP BSI stacked CMOS sensor delivers a compelling blend of high resolution, swift readout speeds, remarkable clarity, and minimal noise. The stacked configuration significantly reduces the impact of rolling shutter, while the BSI designation ensures superior noise control, especially when pushing the boundaries of the extended ISO range spanning from 32 to 102400. Furthermore, the 45.7MP resolution and full-frame sensor size strike an optimal balance, benefiting photographers in detail-intensive genres and enabling the recording of video in resolutions up to 8K.
Z8 Highlights
Sensor | Full Frame 46 megapixels |
---|---|
Lens | Nikon Z |
Video | 8K/30p or 4K/60p video |
Weight | 910g |
ISO | 64-25600 (expands to 32-102400) |
Burst Shooting | 30 fps burst shooting with single-point AF |
Special Features | Environmentally sealed, 5-axis stabilization |
Pros
- Electronic viewfinder is excellent with a super high resolution
- Sharp resolution – high MP full frame
- Great image stabilization for both stills and video shooting
- White balance better than other mirrorless cameras
- Can use other Nikon lenses with adapter
Cons
- Somewhat expensive
Underwater Housing Options the Nikon Z8
What to consider when choosing the best DSLR Camera for Underwater Photography?
Even with the advancements in technology and the introduction of mirrorless cameras, DSLR cameras still hold an important place among professional and enthusiast underwater photographers. Some say it’s the optics, some talk about sensors and others simply prefer the big camera feeling above water and end up getting housing for their topside camera. Either way, the reality is that DSLR cameras are still very popular among underwater photographers who are willing to lug this massive setup around the world, pay excess baggage fees and impress their fellow divers with their big rigs.
If you do plan to get a DSLR setup, the main things you want to look at are:
- Brand
Get a Canon or Nikon. Don’t bother with the rest. They simply aren’t supported. The DSLR underwater market is rather small, so manufacturers don’t produce housings for any cameras that aren’t mainstream. They simply don’t justify the costs of engineering an underwater housing.
If you already have an older Fuji or Sony DSLR, consider changing to the leading brands before getting into underwater photography. - Budget
Housing a DSLR is not cheap. In addition to the housing itself, you will also need ports, zoom gears, extensions and perhaps adapters, for every lens you choose to use. Take all of that into account before spending too much on a camera and lenses, then realizing you can’t afford the housing and accessories! Not to mention strobes or video lights, which are quite necessary with a system like this. - Diving Skills
Handling a big rig like this underwater isn’t easy. Make sure your buoyancy is perfect and you are experienced enough to handle emergencies while carrying that big rig with you. Even without any emergencies, you don’t want to break any corals that took hundreds of years to grow just because you found a cool nudibranch to shoot… - Strobe Triggering
Some DSLR’s include a pop-up flash, some don’t. Some housings allow using the pop-up flash, some don’t (Ikelite). Some cameras have an optical trigger available for them and some don’t. Check this with us before making your decision so that you know what to expect when adding strobes to your system. - New vs Old Models
New DSLR housings cost the same for new DSLR models or old ones (if still available). Since housing is quite a significant investment, we highly recommend getting a newer model rather than an old one that may become obsolete quite fast, leaving you stuck with the housing.
If you already have all your lenses and an older body, consider upgrading the camera before purchasing a housing.
Best DSLR Cameras for Underwater
Nikon D850
For shooters looking for great images and video, the full frame D850 does it all. Capabilities include extensive dynamic range, beautiful color and sharp detail. It shoots true full frame 4K video and has one of the fastest and most accurate autofocus systems (153 AF points and 99 cross type). It does well even at extreme ISO ranges including low light situations where even when getting an underexposed shot, details can be pulled from the black in post processing. Shooting 7 frames per second with 51 shot buffer allows you to take many images before the processor slows down to catch up. It also makes switching from video to still very easy and fast as it holds the previous settings from both.
The d850 does well in all underwater situations from lightning fast autofocus on tiny, fast moving, macro subjects to extreme detail in deep and dark ambient light situations like wreck diving. It also has some of the best 4K video capabilities in a dSLR.
Nikon D850 Highlights
Sensor | BSI-CMOS, 45 megapixels |
---|---|
Lens | Nikon F |
Video | Full frame 4K/30p |
Weight | 1005g |
ISO | Auto, 64-25600 (expands to 32-102400) |
Burst Shooting | 7fps (51 frame buffer) |
Special Features | Environmentally sealed, 151 point autofocus |
Pros
- No 4K video crop factor (although it is possible to shoot in DX crop mode)
- White balance and low noise capabilities
- Autofocus is excellent
- Better ISO and dynamic range performance
- Dual memory cards: XQD and SD
Cons
- In video mode autofocus is not good
- Larger and heavier
Underwater Housing Options the Nikon D850
Canon 5D IV
The Canon 5D IV is a full frame, 30mp camera that shoots 4K video is known for its autofocus capabilities in video mode. This camera performs well in high ISO levels creating images with little noise and takes high quality images. The white balance in underwater settings with ambient light is one of the best on the market. Its ability to shoot live autofocus means shooters do not have to lock autofocus and refocus as the situation changes. It does have a 1.64x crop, but this can be advantageous in macro video. The Nikon d850 has a slightly higher image quality, but if video is your main concern, this camera wins.
Canon 5D IV Highlights
Sensor | CMOS, 30 megapixels |
---|---|
Lens | Canon EF/EF-S |
Video | 4K/30p |
Weight | 890g |
ISO | Auto, 100-32000 (expands to 50-102400) |
Burst Shooting | 7fps (21 frame buffer) |
Special Features | Environmentally sealed, 61 point autofocus |
Pros
- Live autofocus in video mode
- White balance and low noise capabilities
- Better battery
- Built in flash allows for fiber optic connected strobe firing (or electronic via hot shoe)
Cons
- 64x video crop in 4K
- Slower burst shooting
- No Zebra stripes or focus peaking in camera
Underwater Housing Options for the Canon 5D Mark IV
Canon EOS 250D / Rebel SL3
The Canon SL3 is a unique camera in the dSLR space. Nicknamed “mini-dSLR”, this tiny interchangeable lens camera packs some incredible features, just like its larger counterparts, but without compromising on size.
For underwater photographers – this is perfect! We all want excellent quality but hate lugging huge gear across the world.
Thanks to the small size of the SL3, Ikelite’s engineers managed to fit it into their standard mirrorless housing which makes it easier to travel with and more affordable.
Cropped sensors are often favored by underwater photographers because the cameras are slightly smaller and lighter than full frame dSLRs and the crop factor gives extra magnification in macro photography. It allows for the use of the Tokina 10-17mm fisheye lens, which is a favorite among underwater photographers. DSLRs outcompete mirrorless cameras when it comes to fast-action photography such as big animals because autofocus is faster and this is key when you may only have one change to get the shot of a shark or dolphin.
Ikelite’s housing allows you to use all important lenses – Tokina 10-17mm and Canon 10-18mm for wide angle, Canon 60mm and Canon 100mm for macro.
Canon EOS 250D / Rebel SL3 Highlights
Sensor | CMOS APS-C, 24.1 megapixels |
---|---|
Lens | Canon EF/EF-S |
Video | 4K / 24fps, 1080p / 60fps |
Weight | 450g including battery and card |
ISO | Auto, 100-16000 (expandable to 51200) |
Burst Shooting | 5fps |
Special Features | Fully articulating rear LCD screen |
Pros
- Size size size – smaller and lighter than most dSLRs
- Excellent battery life (1000+ photos)
- 4K video
- Exceptional image quality
- Quick Auto Focus
Cons
- Can’t use built-in flash in Ikelite housing
- Slow auto focus in video or live view
Underwater Housing Options for the Canon EOS 250D / Rebel SL3
Cameras We’re Excited About for 2023
OM-5
The OM Systems OM-5 is the first camera that will (sadly) not see the “Olympus” name displayed across it’s front. However, it is shaping up to be a nice successor to the Olympus EM5, which was very popular for underwater photographers.
Set to release at the end of November 2022, the OM5 is a compact, lightweight Micro Four Thirds camera that takes its predecessor’s winning formula and improves on it in several areas. These include more powerful in-body image stabilization, IP53-rated weather resistance, and a host of computational photography features that were previously only found on the higher-end E-M1 series.
We’re excited to see this camera in action, and anticipate housings for it in early 2023.
Underwater Housing Options for the OM-5
Ikelite and nauticam will surely announce their housings soon.
Canon R1
Canon has been teasing its fans for about 2 years now in regards to the “Canon Mirrorless Flagship.” They gave us the Canon R5 first, which we thought might be it – it’s a remarkable camera and one of our absolute favorite underwater cameras in 2022. But they soon said that it wouldn’t be the top of their lineup, which made us eager for more.
Then, Canon gave us the R3, which, for 6000 dollars or so, is a little bit niche. It’s lower resolution than the R5 and more aimed at sports and action photographers; Canon also told us that this wouldn’t be their flagship. With Sony releasing the A1, Canon fans have become rabid for the company’s higher-end offering. As with the 7D / 5D/ 1Dx DSLR lineup, it appears Canon will eventually give us the Canon R1. According to Canon Rumors, this could come in the second half of 2023.
Again from Canon Rumors: “The latest information says that Canon’s new flagship will be the “new resolution king” as well as a big focus on 8K video production and tying in with Cinema EOS, though it won’t get a “C” variant. With Sony, Nikon and Leica topping out at around 60mp for stills, that would put the Canon north of that if the reports are true.”
According to PetaPixel, the R1 will be around 100 megapixels. The sensor wars continue…
Exciting times ahead for Canon Gear Acquisition Syndrome sufferers.
Sony A7R V
Unlike the shadowy Canon R5, the Sony A7R V is imminent, and some have already gotten their hands on them. Announced today, Oct 27 2022, the Sony A7RV is built around the same 61 mp sensor as the Sony A7RIV but features updates to the processor. In turn, the camera is better-able to use the sensor, allowing for greater autofocus, video performance, image stabilization, and more.
The A7RV will reportedly feature 8 stops of image stabilization, 8K/24p (1.24x crop) 10-bit video, a full articulating screen, and 500+ shots of battery life, making it on par with the Canon R5 but with higher resolution. The main question will be whether or not it competes with its earlier model, the A7RIV, since they use the same sensor. Either way, a potentially exciting upgrade for Sony underwater shooters!
Underwater Housing Options for the Sony A7r V
Ikelite and nauticam will surely announce their housings soon.
Summary
This article came out pretty big, not so easy to read and with a lot of information that can be somewhat hard to digest. As such I decided (Dec 2022) to add a table that summarizes the different options along with the price of a basic camera, lens and housing with ports.
See below a table that summarizes the top underwater cameras for 2022/2023:
Camera | Lens | Ikelite Bundle Price | Comments |
---|---|---|---|
Olympus TG-6 | Fixed | $799.00 | No manual controls |
Panasonic LX10 | Fixed | $1,089.00 | |
Canon G7X III | Fixed | $1,249.00 | |
Olympus E-PL10 | 14-42mm | $1,299.00 | Mirrorless |
Sony RX100 VII | Fixed | $1,799.00 | |
Canon R100 | 18-45mm | $1,967.00 | with a F/O connection ($1717 otherwise) |
Canon SL3 | 18-55mm | $1,995.00 | DSLR |
Canon R10 | 18-45mm | $2,395.00 | |
Olympus OM-5 | 12-45mm | $2,550.00 | |
Olympus E-M1 III | 14-42mm | $2,956.00 | |
Canon R7 | 18-45mm | $3,299.00 | |
Canon R8 | 24-50mm | $3,455.00 | Super Affordable Full-Frame |
OM Systems OM-1 | 12-40mm | $3,860.00 | |
Sony a6600 | 10-18mm | $4,058.00 | |
Panasonic GH6 | 12-35mm | $4,702.00 | |
Canon R6 II | 24-105mm | $4,845.00 | |
Nikon Z7 II | 24-70mm | $5,960.00 | |
Nikon D850 | 16-35mm | $6,135.00 | |
Canon 5D IV | 16-35mm | $6,135.00 | |
Sony A7s III | 16-35mm | $7,040.00 | |
Canon R5 | 24-105mm | $7,464.00 | |
Sony A1 | 16-35mm | $10,040.00 |
Conclusion
Choosing the best underwater camera for you might sounds like a daunting task, but remember this – it’s not the camera, but the person behind it!
With the right tool, it may be easier or faster to get good results, but in the end it’s all about improving your photography skills, deepening your understanding and knowledge of the technical terms and the artistic elements, practicing as much as you can and, most important – improving your diving skills! Great underwater photography starts from your fins and works its way up. Not the other way around.
Improving your diving skills is by far the most important thing you can do to become a better underwater photographer.
If you need help choosing the best camera for you, don’t hesitate to contact us via the online chat on the website!
- Native Lenses vs. Wet Lenses for Underwater Photography – December 20, 2023
- The Complete Guide to Practicing at Home for Underwater Photographers – October 4, 2023
- Best Strobe for Underwater – The Ultimate Strobe Guide (Updated!) – June 29, 2023
9 comments
As a snorkeler I’ve use the Olympus TG series from the TG-2 through the TG-5. Mostly in Hawaii, the Caribbean, and more recently Fiji, including free diving down 10-15′. Have been mostly pleased with ability to capture fish portraits, turtles, rays, coral. But now would like to step up to something with a 1″ sensor for topside as well as UW use. Also ready to get a housing, for better waterproofing, and perhaps to get into using flash. Can you comment on your recommended compact cameras for a snorkeling perspective?
Hey David!
The next step would be the Canon G7X III or the Sony RX100 series.
Both cameras will be a big improvement in quality, with a far better sensor and much more crisp photos.
For freediving / snorkeling I would recommend a wide angle lens as well and since the Sony supports wide angle lenses better and you can get the more affordable UWL-400 for it, that would be my recommendation.
As for a strobe, I would start with the YS-01 which is a great entry level strobe to get you started.
To summarize, I would recommend the following:
https://www.housingcamera.com/id4842-fantasea-15075-housing-sony-rx100-v.html
https://www.housingcamera.com/fantasea-5142-wide-angle-lens.html
https://www.housingcamera.com/id3924-sea-sea-ys-01-package.html (upgrade to longer base tray recommended)
Let me know if you have any further questions! Also available at ranm@housingcamera.com
Hi Ran! So I have for 6 years a compact camera underwater (Canon G15), a simple one cause in the past it was the camera I could afford it. I would like to update my camera for underwater – I had a look on Sony RX100 and SeaLife DR2000 and I am not convinced is worth it for the price and quality of photos. I have a Canon T5i, I read reviews and I also saw its not worth buy housing for this camera cause the manual focus it’s not possible use underwater. So I thought to buy a mirrorless cause it is smaller and lighter. All cameras have pros and cons, so quite difficult to decide which one. In your experience, what cameras do you recommend? Thank you!
Hey Jessica!
The G15 is wonderful. I can understand why you used it for so long. I’ve used it a lot myself and I still think it was one of Canon’s best compacts.
But there are definitely better options out there now.
The Sony RX100 is waaaaay better than the Sealife in pretty much every way. So between those two it’s a very easy choice.
I agree that it’s not worth buying a housing for the T5i now as it’s quite old and the housing is a very big investment.
Mirrorless is a great choice and would allow you to grow and upgrade to new lenses as you gain more experience.
I think the RX100 is already a significant upgrade compared to what you have, in every aspect – image quality, video, AF, colors and features.
Deciding between compact and mirrorless boils down to whether or not you want to mess around with ports and additional lenses. The difference between the RX100 vs a mirrorless with a kit lens isn’t huge, but a mirrorless has the ability to be upgraded to a native fisheye lens with a dome or a dedicated macro lens which makes a massive difference.
If you go for compact, RX100 V / VI / VII are the best choices.
If you go for mirrorless, I would consider the Sony A6XXX series and the Olympus E-M5 III.
Another great option to consider is the Canon SL3 with the Ikelite housing. It’s a really good deal, very small camera, large sensor, great housing, can be upgraded with the Tokina 10-17mm fisheye or the Canon 100mm macro lenses and very very affordable.
Hello. I am the very happy owner of a Sony RX100 (with ikelite housing). I have been looking into upgrading my UW-camera and was wondering if the RX100 VII would make a big difference in picture quality as compared to the one I have now (I) or if I should be looking at a completely different camera? What kind of cameras are there now that would provide a significant increase in picture quality without the price becoming too much more than the VII?
Hi Grethe, the RX100 VII definitely has some newer features that would be a significant upgrade over the original RX100–for example, it shoots much faster (20fps vs 10 fps), has a newer BSI sensor, touchscreen, wifi, etc. If you really enjoy the RX100 (which is a great line of compact cameras!), the newest model in the line certainly could make sense. However, if you want to look for improving image quality beyond compact cameras, I’d suggest taking a look at the Sony A6400 or A6600. Coming from Sony already, you’d be familiar with this system, and the price (at least for the A6400) would be relatively comparable, a little more for the A-series after factoring in lenses and ports. The A6400 body is a few hundred dollars cheaper than the Rx100VII, but, you would need a lens or two, which add to the cost. The housing will also cost a little more for the A-series cameras, I think the Ikelite is ~$500 for the RX100VII and about ~$700 for the A6400, and you’d need a port or two. However, you would gain significant image quality in this transition, especially with dedicated macro and wide angle lenses. In summary, for a little more money, an A6400 in a housing with a macro and wide setup would provide an upgrade in image quality from your current compact setup, with a trade off in the cost difference and portability. The A-series will be a larger setup; so if portability is key for you, sticking with a compact camera may be best. Hope this helps!
I think you do a disservice leaving out the Nikon D500. Of course the 850 is top of the line but I feel that is a camera for shooting wide angle or big megafauna and not macro as do many of us native shooters do in not so great visibility. The d850 is a very data heavy camera and cropping is a real pain with it. Of course a great set up is to have both… but I love my D500 and feel it a superior rig for the shooting I do in the Pacific Northwest.
What about the G1X mark iii…why didn’t this make the list? Isn’t this superior to the g7x mark 2?
I was looking at both of these for a buy…can you explain?
hi, i have an olympus tg6 and a gopro hero 9 and i would like to upgrade with a mirrorless that is a superior level first for videos and then of course also for photos. what could you suggest me in the price range of the sony a6600 (i read that in the video side is not the best) ? sony a7c or again sony a7iii or sony a7siii??
thanks Carlo