- Mobilities Studies, Cinema Studies, Public Art, Visual Narrative, Australian Cinema, Media & Communication, and 29 moreFilm Industries, Film Criticism, Hong Kong Cinema, Digital Media, Dudley Andrew, Film Aesthetics, History of Film Theory and Criticism, Film Narrative, The Body in Film, Film Style, Cultural History, Film and television studies, Popular Culture, Australian art, Cinephilia, Film Studies, Feminist Theory, Film Theory, Video Art, Film Analysis, Photography, Crime Films, Film History, Urban Studies, Cultural Studies, Modernity, Cinematic Space, Mobility/Mobilities, and Installation Artedit
- Ashley is currently an independent researcher, photographer and filmmaker. His research interests span the fields of ... moreAshley is currently an independent researcher, photographer and filmmaker. His research interests span the fields of public art research, mobilities studies, cinema studies, experimental film practice and photography studies. He has previously been affiliated with the School of Media and Communication and the School of Art at RMIT University (2007 - 2017), as well as the School of Media, Film and Journalism at Monash University (2017). He is a former member of the Centre for Art, Society and Transformation (CAST) in the School of Art at RMIT University. His short films have screened at the St Kilda Film Festival in 2017, 2018 and 2019.edit
An examination of site-specific, public, artworks situated within the geography of two extensive motorways: the EastLink Tollway and the Peninsula Link Freeway, on the South Eastern edges of metropolitan Melbourne.
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Issues relating to travel, mobility and complexity continue to inform research into globalised social life. In recent years, scholarship engaging with the ‘new mobilities’ paradigm has sought to capture and explain the multiplicities and... more
Issues relating to travel, mobility and complexity continue to inform research into globalised social life. In recent years, scholarship engaging with the ‘new mobilities’ paradigm has sought to capture and explain the multiplicities and associations relating to one of the dominant forms of physical mobility, automobility.
The predominant form of global physical mobility is the car. My article suggests that a creative practice-led approach - a visual communication artefact in the form of a poster - is appropriately placed to produce a vividly descriptive and engaging investigation into the influence of the car, in relation to Melbourne.
My article attempts to interrogate the salient aspects of Melbourne’s regime of automobility including, the everyday practice, subjectivities and materialities of driving, particularly within a quintessential suburban geography.
The predominant form of global physical mobility is the car. My article suggests that a creative practice-led approach - a visual communication artefact in the form of a poster - is appropriately placed to produce a vividly descriptive and engaging investigation into the influence of the car, in relation to Melbourne.
My article attempts to interrogate the salient aspects of Melbourne’s regime of automobility including, the everyday practice, subjectivities and materialities of driving, particularly within a quintessential suburban geography.
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Research Interests:
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Research Interests:
Online Video, 45 seconds, Digital File (H.264)
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2 channel video, 50 mins, DVD
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Colour Poster, 59 x 84cm, Inkjet Print
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Images of the M80 ring road corridor (2008 - 2014) - Melbourne, Australia.
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A short, non-narrative, experimental (mosaic and/or collage) film, 8:30 mins. (ProRes 422). Official Selection, 2019 St Kilda Film Festival.
A short, non-narrative, experimental (mosaic and/or collage) film, 8:30 mins. (H.264). Official Selection, 2018 St Kilda Film Festival.
Research Interests:
A short, non-narrative, experimental (mosaic and/or collage) film. 8 mins. (H.264). Official Selection, 2017 St Kilda Film Festival.