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1 | Timestamp | Your name | Your email address | Your institution | Topic(s) of resource/video | Link to resource/video | Any comments to add about the resource or video? Potentially important things: what text/chapter does this align with? Is there anything in this video that is specific to your course or text (i.e., you ask students to look at p. 34 of your text or coursepack, and viewers won't be able to follow along unless they have that resource)? Do you use any terminology that's specific to your course? | ||||||
2 | 3/14/2020 14:25:44 | Leigh VanHandel | lvh@msu.edu | Michigan State | Invertible counterpoint introduction (identification/analysis) | https://www.dropbox.com/s/rv5kns3bxlc82wb/invertible%20counterpoint%201.mp4?dl=0 | I reference my students' coursepack, but all examples are shown on screen. I do give an "assignment" at the end for the last example shown but you can tell students to ignore that. When referring to voice exchanges, I refer to them as "groovy" voice exchanges because I've found that it helps students remember that "voice exchange" is the good one (as compared to "voice crossing" or "voice overlap," which are seductively similar!). | ||||||
3 | 3/14/2020 14:45:11 | Kent Cleland | kcleland@bw.edu | Baldwin Wallace University Conservatory of Music | General Music Theory and Aural Skills | https://www.youtube.com/channel/UC1AU9mhvKQZ9LFiat0S78ZA/videos | |||||||
4 | 3/14/2020 14:48:13 | Barbara Murphy | bmurphy@utk.edu | University of Tennessee | Musical examples (score and audio links) for formal analysis | https://musictheorymaterials.utk.edu/ | The website also contains a videos on binary, ternary and sonata form as well as handouts on various topics and some melodic dictation examples. | ||||||
5 | 3/14/2020 15:01:29 | Bryn Hughes | bryn.hughes@gmail.com | The University of Lethbridge | Prime Form | https://www.youtube.com/watch?v=So2JEANTwuc | Please don't make fun of my shirt | ||||||
6 | 3/14/2020 15:02:25 | Bryn Hughes | bryn.hughes@gmail.com | The University of Lethbridge | Classical-era periods | https://www.youtube.com/watch?v=NbTB7UcroUI | |||||||
7 | 3/14/2020 15:03:10 | Bryn Hughes | bryn.hughes@gmail.com | The University of Lethbridge | Applied Chords (Secondary Dominants) | https://www.youtube.com/watch?v=vdvYlZFT1uA&t=215s | |||||||
8 | 3/14/2020 15:03:55 | Bryn Hughes | bryn.hughes@gmail.com | The University of Lethbridge | Pitch, Pitch Class, Octave Designation, Enharmonic Equivalence | https://www.youtube.com/watch?v=_z3b5fSDimI&t=42s | |||||||
9 | 3/14/2020 15:32:48 | Cynthia I. Gonzales | cg34@txstate.edu | Texas State University | Aural 1: 2-voice transcriptions, MD, HD, Error Detection | https://www.youtube.com/channel/UC0RyALuZo0O5QTRRzYPx8BQ/videos?view_as=subscriber | 2-voice transcriptions, MD & HD for Aural 1 (Diatonic primary chords), Error Detection | ||||||
10 | 3/14/2020 15:48:06 | Kati Meyer | Meyerk@morningside.edu | Morningside College | Theory I-IV | https://m.youtube.com/channel/UCkMO6TfpUiPjIfDyfcRheyw/videos | |||||||
11 | 3/14/2020 20:51:03 | Michael Berry | mberry3@uw.edu | University of Washington | Introductory music theory (clefs through seventh chords) | https://www.youtube.com/playlist?list=PLapcgKlZ9NOlRzu4poEUBmKTi359A92UP | I used these with short multiple-choice/true-false quizzes in Canvas | ||||||
12 | 3/14/2020 20:51:52 | Michael Berry | mberry3@uw.edu | University of Washington | Species counterpoint | https://docs.google.com/document/d/1ojCmU2PMqKj7Uw2-hMVNvFKiMsgNTTCta8njxV15PbY/edit | First, second, and fourth species, after Fux | ||||||
13 | 3/15/2020 0:12:47 | Dr. Jacob Gran | jacobjgran@gmail.com | Independent | Schenker | https://www.youtube.com/playlist?list=PL6Towqbh0pdr58_e7KL5p4Uqy2Gz6meGM | |||||||
14 | 3/15/2020 0:14:33 | Jacob Gran | jacobjgran@gmail.com | Independent | Species Counterpoint 2-voices | https://www.youtube.com/playlist?list=PL6Towqbh0pdqwwHt3sWYwTj98qIqcqCrn | Based on Fux’s Gradus | ||||||
15 | 3/15/2020 8:29:47 | Jessamyn COnrad | jessamyn@artusi.xyz | Artusi | Music theory online learning | www.artusi.xyz | Artusi is a cloud based platform for music theory learning. Artusi allows students to complete assignments and exams remotely, while giving students infinite practice and real-time feedback as well as providing automatic grading for instructors. You can embed video, PDFs, images, etc within the platform, all of which is fully customizable for how you teach music theory. We cover Fundamentals through Theory 3, with some Theory 4 resources. We also include ear training exercises. And we are here to help!! | ||||||
16 | 3/15/2020 13:51:05 | Elira Mavraj | mavraje201@potsdam.edu | Student at SUNY Potsdam (Crane School of Music) | Music Theory/Aural Skills I & II Tutoring Resources | https://eliramavraj.wixsite.com/eliramavraj/lesson-plans-pedagogy-1 | All resources are under the "lesson plans & pedagogy" part of my website. This includes lesson plans and pedagogical work. The "music theory & music theory tab is simply the work I have done, not teaching resources that I have developed. Hope this is helpful! | ||||||
17 | 3/15/2020 13:54:37 | Zachary Bernstein | zbernstein@esm.rochester.edu | Eastman School of Music | YouTube channel for undergraduate post-tonal theory | https://www.youtube.com/playlist?list=PL5gEnMVyeWyDqbj5biEJzm2fb-aYu7qc0 | The approach is mostly concordant with Joe Straus's Intro to Post-Tonal Theory. | ||||||
18 | 3/15/2020 14:27:22 | Nicole DiPaolo | ndipaolo@iu.edu | Indiana University & Liberty Park Music | Music Literacy, Fundamentals (most videos are labeled by topic) | https://iu.box.com/s/153izp5sefk98m812mjgs0ysd5ywp54t | I'm the theory teacher at Liberty Park Music, an asynchronous video-based subscription music school. (I do the scripts/content, while others animate it all) Awhile ago I downloaded some of the finished videos to offer my IU fundamentals theory students as study aids. I got such positive feedback that I've kept offering them to each new class. This is not a complete set of videos but may be good for the real visual learners who don't have good enough wifi to follow along with a Zoom class, and the videos are almost all under 10 minutes. | ||||||
19 | 3/15/2020 16:22:46 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Secondary Functions | https://www.youtube.com/watch?v=-zzcytHT4Yg | I was using Clendenning/Marvin, 2nd Ed. when I made the video | ||||||
20 | 3/15/2020 16:23:54 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Indeterminacy | https://www.youtube.com/watch?v=-zzcytHT4Yg | |||||||
21 | 3/15/2020 16:24:43 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Sequences and Linear Intervallic Patterns | https://www.youtube.com/watch?v=qilq-YKdLPA | |||||||
22 | 3/15/2020 16:25:59 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Changing Meters, Asymmetrical Meters, Ostinato, "Floor Shifting" | https://www.youtube.com/watch?v=-x5gt0RRkW4 | |||||||
23 | 3/15/2020 16:26:58 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Motives, Phrase Structure, Motivic Manipulation, Periods | https://www.youtube.com/watch?v=-x5gt0RRkW4 | |||||||
24 | 3/15/2020 16:28:03 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Matrices, 12-tone, serialism | https://www.youtube.com/watch?v=z2p7qkJPQgc | |||||||
25 | 3/15/2020 16:29:20 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Leading-tone chords | https://www.youtube.com/watch?v=W9NtXuWR0PkasDMoFPTebRLRqG7A | |||||||
26 | 3/15/2020 16:30:09 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Serialism, ordered sets | https://www.youtube.com/watch?v=se2E0yfPKOA | |||||||
27 | 3/15/2020 16:31:06 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Four-part writing; ranges; stylistic issues; pitfalls of same | https://www.youtube.com/watch?v=YkPAtH1nb1k | |||||||
28 | 3/15/2020 16:32:16 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Set theory; segmentation; integer notation; transposition | https://www.youtube.com/watch?v=PHFxUErvn6w | |||||||
29 | 3/15/2020 16:33:44 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Four-Part Writing; Outer voices | https://www.youtube.com/watch?v=C0j5UypNcs0 | |||||||
30 | 3/15/2020 16:34:34 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Whole-tone scales; Pentatonic scales; Introduction to set theory | https://www.youtube.com/watch?v=ASucQ8o_AEU | |||||||
31 | 3/15/2020 16:35:13 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Enharmonic modulations | https://www.youtube.com/watch?v=fGfpJdrrc6M | |||||||
32 | 3/15/2020 16:35:58 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Triads; Seventh chords | https://www.youtube.com/watch?v=yCx6CwBW9Uo | |||||||
33 | 3/15/2020 16:36:43 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Common-tone chords; chromatic mediants | https://www.youtube.com/watch?v=oFQOspazf5Y | |||||||
34 | 3/15/2020 16:37:20 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Intervals | https://www.youtube.com/watch?v=J0FDI4hT0d0 | |||||||
35 | 3/15/2020 16:38:21 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Chromatic sequences; chromatic voice exchange | https://www.youtube.com/watch?v=gdQIVpV0jCo | |||||||
36 | 3/15/2020 16:39:16 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Natural Minor scale; minor keys | https://www.youtube.com/watch?v=JQWm4vUWlls | |||||||
37 | 3/15/2020 16:39:53 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Augmented 6th chords | https://www.youtube.com/watch?v=ngFvXhH6oZ4 | |||||||
38 | 3/15/2020 16:40:35 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Neapolitan 6th chords | https://www.youtube.com/watch?v=LlBMiAivI7M | |||||||
39 | 3/15/2020 16:41:17 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Major scales | https://www.youtube.com/watch?v=hq4lF6_iNoY | |||||||
40 | 3/15/2020 16:42:02 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Pitch, pitch-class, notation | https://www.youtube.com/watch?v=6qgS-RQsN80 | |||||||
41 | 3/15/2020 16:42:40 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Mode mixture | https://www.youtube.com/watch?v=UYsK4dMuggg | |||||||
42 | 3/15/2020 16:43:55 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Beat; emphasis | https://www.youtube.com/watch?v=P_wCX4f7DqA | |||||||
43 | 3/15/2020 16:44:34 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Subdivision; simple meters | https://www.youtube.com/watch?v=9D65KAgUifQ | |||||||
44 | 3/15/2020 16:45:23 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Pivot Chord modulation | https://www.youtube.com/watch?v=VZXrgjGcSr0 | |||||||
45 | 3/15/2020 16:46:01 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Direct modulation; phrase modulation | https://www.youtube.com/watch?v=a37jQSrKjyc | |||||||
46 | 3/15/2020 16:46:40 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Compound meter | https://www.youtube.com/watch?v=wAB4-DfD_VU | |||||||
47 | 3/15/2020 16:47:23 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Syncopation; hemiola; tuplets | https://www.youtube.com/watch?v=5rVlwIpwsOw | |||||||
48 | 3/15/2020 16:48:10 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Motivic manipulation in inventions and fugues | https://www.youtube.com/watch?v=PrrZS_PL6wA | |||||||
49 | 3/15/2020 16:48:52 | Wes Flinn | jwflinn@morris.umn.edu | University of Minnesota Morris | Binary form; ternary form | https://www.youtube.com/watch?v=7KI_aBnjP-Q | |||||||
50 | 3/15/2020 17:30:05 | George Lam | glam@york.cuny.edu | York College CUNY | Music Theory Fundamentals YouTube Playlist | https://www.youtube.com/playlist?list=PLdB5Sjxputi77gdl0fW2tPidbD96cl27G | This is a playlist I created in conjunction with a remixed version of Open Music Theory. They're just simple, topic-based videos (and there are much more "produced" ones out there already!), but just wanted to include them here in case it's helpful. My remixed version of OMT is here: https://ycmusictheory.commons.gc.cuny.edu/ | ||||||
51 | 3/16/2020 10:00:59 | Emily Kenyon | ekenyon@umass.edu | University of Massachusetts Amherst | Introduction to Musical Sequences (focused one the Descending 5th sequence) | https://youtu.be/hFbghCO4U8A | Aligned with the sequence terminology found in Clendinning and Marvin (i.e. “descending 5ths w/ alt. 6/3s) | ||||||
52 | 3/16/2020 10:18:16 | Martin Brenne | mauricederkater@googlemail.com | Teacher | Ear Training | https://www.youtube.com/channel/UCyB3kOuG2C9embHy-cfqncQ | |||||||
53 | 3/16/2020 12:40:11 | Sarah Louden | sarah.louden@nyu.edu | NYU Steinhardt | Musition & Auralia Software | https://www.risingsoftware.com | Theory and ear-training software free for Covid-19 affected institutions through June 30th. More info is available on their website here: https://www.risingsoftware.com. | ||||||
54 | 3/16/2020 14:02:01 | Katelyn Horn | support@picardylearning.com | Picardy | Online music theory and aural skills class supplement exercises, including rhythmic, melodic, and harmonic dictations | picardylearning.com | We are making all of our premium material available for free to those who need it during this abrupt switch to online teaching. Here's how to get started: 1. All potential users must first create an account with us at picardylearning.com. 2. If you are an educator, fill out the educator application. You will receive a follow up email with more information. 3. If you are a student, email me at support@picardylearning.com with information about why you need premium access and who your teacher is and I will manually upgrade your account. I'm happy to answer any and all questions you may have so feel free to reach out to me at support@picardylearning.com at any point! Good luck in these weird times! Katelyn Horn Picardy Customer Success Lead | ||||||
55 | 3/16/2020 14:19:38 | Jennifer Shafer | shafer@udel.edu | University of Delaware | Fundamentals: Major and minor scales, intervals, and triads | https://drive.google.com/drive/folders/13UGLzs8kB3tm3RxRIwO82P7cXLdza5Yx?usp=sharing | A set of videos (used in a flipped classroom setting) and accompanying handouts are linked in the folder above; highly recommend the student following along with the worksheet, as the videos assume that you are doing so. The videos are (unfortunately) on the long side; something I planned to go back and re-make/edit sometime in the future. They are not course-specific in terms of a text, but are specific to the goals of my particular course, which is intended to remediate fundamentals knowledge for incoming music majors/minors and focuses on both knowledge and fluency. Each topic has two parts: presentation of information and discussion of strategies to build speed and fluency. In the first few videos (major scales/key signatures and two sets of minor scales/key signature videos) these are split into separate videos. Since the interval and triad videos rely on previous knowledge from the various scale videos, these are much shorter and thus both halves are included in one video. Feel free to contact me should you have any questions. | ||||||
56 | 3/16/2020 15:27:38 | Barbara Murphy | bmurphy@utk.edu | University of Tennessee | Foundations of Music Theory: An Interactive Ebook | https://he.kendallhunt.com/product/foundations-music-theory-interactive-ebook-0 | An online book for the teaching of the fundamentals of music theory. Contains units on terminology, notation, rhythm, scales and key signatures, intervals, triads and seventh chords and analysis. This second edition contains analysis with jazz/pop symbols and Nashville numbers in addition to roman numerals. Information is presented via detailed Powerpoint presentations. Online quizzes and unit tests are also included with over 4000 questions in the question banks. | ||||||
57 | 3/17/2020 10:05:45 | John Paul Ito | itojp@cmu.edu | School of Music, Carnegie Mellon University | general music theory and aural skills, beginning through advanced topics | https://www.andrew.cmu.edu/user/johnito/music_theory/index.html | I also have rough videos (audio not great), not linked on my main website, teaching species ctp, species 2-4, on youtube, which searches should bring up - based on Salzer and Schachter | ||||||
58 | 3/17/2020 10:07:07 | John Paul Ito | itojp@cmu.edu | School of Music, Carnegie Mellon University | quickstart guide for music-specific zoom issues | http://www.andrew.cmu.edu/user/johnito/personal/zoom.html | |||||||
59 | 3/17/2020 13:25:16 | Stephen Gosden | s.gosden@unf.edu | University of North Florida | Various Theory I–II Topics | https://vimeo.com/channels/1253711 | |||||||
60 | 3/17/2020 13:35:42 | Katelyn Horn | katelyn@picardylearning.com | n/a | Learn music theory from home through different ear-traning, aural skills, and other high-quality dictations and exercises for a fulfilled and enhanced individual and group-learning. | https://picardylearning.com/ | https://www.facebook.com/7959349/videos/10115033217149200/?id=7959349 This short video showcases the essence of Picardy and how it will fit to your curriculum this year! | ||||||
61 | 3/17/2020 13:58:46 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Intervals | https://youtu.be/lleFluJbHBQ | |||||||
62 | 3/17/2020 13:59:06 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Rhythms | https://youtu.be/igFG-rpQGwk | |||||||
63 | 3/17/2020 13:59:31 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | First Species Counterpoint | https://youtu.be/vhAgYxde3FQ | |||||||
64 | 3/17/2020 13:59:54 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Fourth Species Counterpoint | https://youtu.be/9ZNEGUXRX9o | |||||||
65 | 3/17/2020 14:00:20 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Figured Bass | https://youtu.be/wBTeVxv6oxM | |||||||
66 | 3/17/2020 14:00:43 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Four-part writing | https://youtu.be/aYYCTKKgerE | |||||||
67 | 3/17/2020 14:01:13 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Neighboring and Passing Chords | https://youtu.be/rLDIQMzFGiA | |||||||
68 | 3/17/2020 14:01:36 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Pre-dominants | https://youtu.be/82DLQLYyCAQ | |||||||
69 | 3/17/2020 14:01:57 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Cadential six-four | https://youtu.be/QRdEubFiDi8 | |||||||
70 | 3/17/2020 14:02:21 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Pre-dominant 7th chords | https://youtu.be/OaQ3h-RG5KI | |||||||
71 | 3/17/2020 14:02:47 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Accented & chromatic NCTs | https://youtu.be/kkloxOoHqBg | |||||||
72 | 3/17/2020 14:03:11 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Diatonic Sequences | https://youtu.be/Stcp7qpNUco | |||||||
73 | 3/17/2020 14:03:31 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Modulation | https://youtu.be/6xZIdJQ7exY | |||||||
74 | 3/17/2020 14:03:51 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Rounded binary | https://youtu.be/5qsrMqRl4wE | |||||||
75 | 3/17/2020 14:04:10 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Mode mixture | https://youtu.be/VBQ14ohriR8 | |||||||
76 | 3/17/2020 14:04:50 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Neapolitan | https://youtu.be/MYRixAiI85c | |||||||
77 | 3/17/2020 14:05:09 | Drew Nobile | dnobile@uoregon.edu | University of Oregon | Enharmonic modulation | https://youtu.be/QqHRKr5p3oM | |||||||
78 | 3/17/2020 20:29:27 | Rachel E Mann | rachel.mann@utrgv.edu | University of Texas Rio Grande Valley | Harmonia (music theory software) | https://harmonia.illiacsoftware.com/ | Illiac Software is waiving fees for all new Harmonia courses through the end of the academic year. If you have questions about getting started, please feel free to contact me at rachel.mann@illiacsoftware.com | ||||||
79 | 3/18/2020 12:14:34 | Noam | info@tune4media.com | tune4media | Free ear-training web apps | https://tune4media.com/apps.php | |||||||
80 | 3/18/2020 20:07:53 | Julia Alford | musicstudies@temple.edu | Temple University | Online Aural Theory Homework | https://www.risingsoftware.com/ | I have a complete group of exercises for online learning with aural theory that can be done by your students online using Auralia Software. I spoke with one of the developers last night, and if you would like to use it, they can add it to your "Library" with them. I also have worksheets I can share with you that correspond to the courses and tests. It is good for diatonic and chromatic harmonic and melodic dictation work. Students can work through it all on their own and everything is auto-graded. Email me for more information. | ||||||
81 | 3/19/2020 9:17:42 | Mark Gotham | mark.gotham@cornell.edu | Cornell | Counterfactual composition / completion of chorales and lieder | https://fourscoreandmore.org/cut-outs/ | Auto-generated, editable exercises, including optional hints | ||||||
82 | 3/20/2020 8:03:46 | Nolan Stolz | nstolz@uscupstate.edu | University of South Carolina Upstate | Pivot/common chord modulation to closely related keys (Johnny Cash's "I Walk The Line" as example) | https://www.youtube.com/watch?v=fwLgSzBo4dc | It also works as aural skills practice by identifying chord progressions and modulation by ear. The video uses macro analysis (Benward/Saker), but for those that don't use it, it doesn't really get in the way | ||||||
83 | 3/24/2020 15:02:04 | Victoria Malawey | vmalawey@macalester.edu | Macalester College | Neapolitan sixth short primer video | https://youtu.be/p7Cqqja5g4Q | This video presents the most basic information about the N6 (how to spell it, its solfege syllables, and how it sounds in comparison to the iio6) | ||||||
84 | 3/24/2020 15:03:40 | Victoria Malawey | vmalawey@macalester.edu | Macalester College | Neapolitan sixth: analysis | https://youtu.be/IufafDZfYFE | This video examines the opening phrase of the first movement from Beethoven's Piano Sonata no. 14 (aka the "moonlight sonata"), which features a prominent N6 chord. | ||||||
85 | 3/24/2020 15:04:56 | Victoria Malawey | vmalawey@macalester.edu | Macalester College | Neapolitan sixth: voice leading | https://youtu.be/hHV7Ok-d3tA | This video briefly presents voice leading principles specific to the N6. | ||||||
86 | 4/1/2020 20:54:15 | Victoria Malawey | vmalawey@macalester.edu | Macalester College | Augmented sixth chords | https://www.youtube.com/playlist?list=PLTPn-y49WSV08d1ju2EO54AYcCA6Xpb0M | series of 4 videos that present the basic features of +6 chords, how to spell them, their use in Beethoven's op. 48, no. 4, and voice leading | ||||||
87 | 4/3/2020 9:55:26 | Avner Dorman | adorman@gettysburg.edu | Gettysburg College | Post Tonal Theory - common tones under transposition and inversion | https://www.youtube.com/playlist?list=PLTHeQOXPTezgz4FHzRb4ZxQ3AkQDimkCA | Course uses the Straus text - these are short videos focused on different topics from chapter 3 | ||||||
88 | 4/3/2020 11:03:29 | Avner Dorman | adorman@gettysburg.edu | Gettysburg College | Post tonal theory - common tones under inversion | https://youtu.be/hpsF5A-WRgg | Class uses the Straus - these relate to chapter 3 | ||||||
89 | 4/7/2020 16:46:50 | Victoria Malawey | vmalawey@macalester.edu | Macalester College | Enharmonic Reinterpretation | https://www.youtube.com/playlist?list=PLTPn-y49WSV02TrgGIu-dBkNYg6zc8ywR | This series of videos explains how we can use the enharmonic properties of V7 and +6 chords as a means for modulation. (Future videos will include enharmonic reinterpretation of viio7 too.) | ||||||
90 | 4/7/2020 16:50:07 | Victoria Malawey | vmalawey@macalester.edu | Macalester College | Descending tetrachord bass line | https://www.youtube.com/playlist?list=PLTPn-y49WSV1MuF1Ez3B069duZfWQR0g3 | These videos introduce the descending tetrachord (basically stepwise motion from 'do' to 'sol') in a variety of musical contexts. | ||||||
91 | 7/5/2020 10:33:42 | Walter Everett | weverett@umich.edu | Univ of Michigan | Rhythm basics: tempo; harmonic rhythm; accent and meter; downbeat, upbeat, backbeat and offbeat; syncopation; elements of the drum set | http://youtu.be/3UvJvSJRMrA | This and other related videos were produced to supplement my book, What Goes On; all examples on piano, guitar, bass and drums are taken from early Beatles. | ||||||
92 | 7/5/2020 10:36:00 | Walter Everett | weverett@umich.edu | Univ of Michigan | Basics of pop forms Part One: 12-bar blues; refrain, period, verse, bar form, strophic form, chorus, bridge, retransition. open phrase group, instrumental break | http://youtu.be/lv1dHWLg_Rw | This and other related videos were produced to supplement my book, What Goes On; all examples on piano, guitar, bass and drums are taken from early Beatles. | ||||||
93 | 7/5/2020 10:37:24 | Walter Everett | weverett@umich.edu | Univ of Michigan | Basics of melody, Part One: chromatic, major and minor-pentatonic scales; tumbling strain; [025] trichord | http://youtu.be/XY__57yCviI | This and other related videos were produced to supplement my book, What Goes On; all examples on piano, guitar, bass and drums are taken from early Beatles. | ||||||
94 | 7/5/2020 10:38:47 | Walter Everett | weverett@umich.edu | Univ of Michigan | Basics of harmony, Part One: interval sizes, major and minor triads, register, voicing, doubling, bass as harmonic support, power chords | http://youtu.be/yWaDafGaLoU | This and other related videos were produced to supplement my book, What Goes On; all examples on piano, guitar, bass and drums are taken from early Beatles. | ||||||
95 | 7/5/2020 10:41:18 | Walter Everett | weverett@umich.edu | Univ of Michigan | Basics of Harmony, Part Two: roots and degrees of major and minor-pentatonic scales; harmonic function, I, ii, IV and V triads; authentic, half, plagal and deceptive cadences; circle of fifths | http://youtu.be/fuGQp_6oT8U | This and other related videos were produced to supplement my book, What Goes On; all examples on piano, guitar, bass and drums are taken from early Beatles. | ||||||
96 | 7/5/2020 10:43:37 | Walter Everett | weverett@umich.edu | Univ of Michigan | Pop vocal arrangement, Part One: doubled bass line; tattoo; solo vocals; unison and octave-doubled vocals; descant and lower-harmony vocals; parallel thirds | http://youtu.be/kdSv39J22HE | This and other related videos were produced to supplement my book, What Goes On; all examples on piano, guitar, bass and drums are taken from early Beatles. | ||||||
97 | 7/5/2020 10:44:46 | Walter Everett | weverett@umich.edu | Univ of Michigan | Pop forms, Part Two: SRDC form, intro, coda, one-more-time cadence | http://youtu.be/hzS5QpY8wkg | This and other related videos were produced to supplement my book, What Goes On; all examples on piano, guitar, bass and drums are taken from early Beatles. | ||||||
98 | 7/5/2020 10:46:15 | Walter Everett | weverett@umich.edu | Univ of Michigan | Basics of Rhythm, Part Two: drumming techniques | http://youtu.be/Fbq43W-Jndw | his and other related videos were produced to supplement my book, What Goes On; all examples on piano, guitar, bass and drums are taken from early Beatles. | ||||||
99 | 7/5/2020 10:49:13 | Walter Everett | weverett@umich.edu | Univ of Michigan | Pop vocal arrangement, PArt Two: multiphonics, falsetto, melisma, mordent; parallel, similar, contrary and oblique motions; parallel fourths; countermelody and backing vocals | http://youtu.be/fCoc0bATJ_Q | This and other related videos were produced to supplement my book, What Goes On; all examples on piano, guitar, bass and drums are taken from early Beatles. | ||||||
100 | 7/5/2020 10:51:19 | Walter Everett | weverett@umich.edu | Univ of Michigan | Basics of Rhythm, Part Three: slow intro, fermata, son clave, triplet; more drumming techniques | http://youtu.be/36j6CXO8QEM | This and other related videos were created as supplements to my book, What Goes On. All piano, guitar, bass and drumming examples are taken from the early Beatles. |