The Grand Tour

This 430-Square-Foot Paris Apartment Went From Dingy to Debonair

Atelier PA added dramatic lighting, sensual materials, and rich natural colors to create the illusion of space
The kitchen is made of stained and oiled plywood  designed to look like a sideboard and fit into the open room like...
The kitchen is made of stained and oiled plywood (Rubio), designed to look like a sideboard and fit into the open room like another piece of furniture. The off-white walls and floor are of waxed concrete (Marius Aurenti).© Carole Martinod

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When Julian Pradignac, the architect and founder of Atelier PA, first encountered it, this small Paris apartment was a modest caretaker’s unit—on the ground floor, relatively small, with little light. Its promising feature was its ceiling height, which measured at more than 16 feet, adding some relief to the 430-square-foot space. As Julian approached the challenge of creating a guest house for the unit’s owners, he envisioned using that height to add a bedroom and dressing room in an unused portion of the unit, freeing up space on the ground floor.

“It was in a bad state,” Julian recalls, “with damaged and very unstable floors and ceilings. It was the most degraded apartment I have had to renovate.” He decided, then, to start with a blank sheet. A mezzanine would be built around a small atrium, respecting the L-shaped plan of the apartment. “The rooms open onto the large central void and you are reminded of the apartment’s double height as light pours in from the two high windows overlooking the building’s courtyard.” 

Light pours through double-height curtains that cover the apartment’s large windows. The wood and bronze leaf wall conceals a bathroom and toilet. Sofa by AM.PM. Berber carpet from Morocco. 

Carole Martinod

Materiality is everything in Julian’s design. Opposite the entrance, running along the entire length of the back wall of the unit, a row of wood panels covered in bronze leaf conceal a laundry room, a shower, a toilet, and a staircase. The space’s flush doors and brushed surfaces reflecting the natural and artificial light. This stretch of hidden rooms serves as a support for the mezzanine level, which is also hung from wooden slats that form a railing while screening the sleeping area from light. The thin strips of dark tinted birch create an obvious and natural contrast with the structure, in a play of lines and geometries, light and shadow. The dining room is tucked under the mezzanine, letting the living room portion of the ground floor enjoy a double height ceiling.

The kitchen is designed to appear like a low buffet running along one wall, blurring the divisions between the different spaces. A spiral staircase in black steel and dark stained wood leads up to a hallway of large storage units overlooking the living room and washed with light filtered through the slatted screen. The sleeping area is to the right. There, behind the headboard, a skylight allows natural light in (a curtain covers it as needed). 

The dining room table, found in a local shop, sits underneath the mezzanine. Note the play of geometries with the different woods, the birch supports and the floor of the mezzanine above them, both left natural. Restored Florida chairs by Baumann. Simple wall sconces by NUVOL.

Carole Martinod

The choice of birch was motivated by budget constraints, and then stained to emphasize its grain. The color and texture respond to the waxed concrete floor and the shower and toilet. The clear and shimmering shades of bronze on the panels multiply the natural and artificial light in the space. At the end of the bronze covered installation, a mirror appears to increase the size of the space while also reflecting light from a glass door overlooking the courtyard. In the living room, large double-height custom curtains allow sunlight to fill the room while protecting the privacy of the apartment’s occupants. 

In this game of materials, of receding lines that elongate and heighten spaces, and of shadows and light that evolve during the day, the built-in elements form a common theme. With the kitchen, staircase, storage units, and other installations, the occupants had to bring very little: a lounge chair, a side table, a rug, and some vintage Florida chairs from Baumann. In this apartment, volume and light have agreed to share the leading role in a dialogue that goes back and forth from sober sophistication to gentle contemporaneity.

The warmth of the apartment is found in the combination of materials, tones, and textures that reflect, transform, and soften the light. 

Carole Martinod

The L-shaped plan multiplies the different perspectives, creating the illusion of space. On the left, at the end of the bathroom installation, the staircase is almost invisible.

Carole Martinod

The bathroom has walls treated with waxed concrete (Marius Aurenti). The vanity is made of stained birch with a black steel top, as in the kitchen. 

Carole Martinod

Looking at the paneled wall along one of the apartment walls, it’s hard to guess that a dramatic staircase in steel and dark stained birch is tucked behind one of them. 

Carole Martinod

 The spiral staircase has steps in steel and a railing in oiled birch; elements that run through the apartment like common themes, each carefully selected and finished, despite the challenge of a limited budget.

Carole Martinod

At the top of the staircase, the corridor dressing room’s large storage units are seen in the light filtered through the slatted screen. The straight lines and the combination of slats with different widths, which also come in two different tones, gives the space a sophisticated feeling that is sober and natural at once. Custom lacquered birch chair by Edouard Fizelier and Mathias Derville.

Carole Martinod

Behind the stained birch headboard, a curtain softens the light coming through a skylight. Julian made use of every source of natural light and the slatted screen manages to protect occupants without enclosing them, allowing vertical slots of light to illuminate the space behind it. 

Carole Martinod