English or French (?), 'The Wilton Diptych', about 1395-9

Bibliography

• 1724
  J. Anstis, The Register of the Most Noble Order of the Garter, London 1724
• 1731
  C. Gambarini, A Description of the Earl of Pembroke's Pictures, London 1731
• 1751
  R. Cowdry, A Description of the Pictures, Statues, Busto's, Basso-Relievo's, and Other Curiosities at the Earl of Pembroke's House at Wilton, London 1751
• 1757
  A. van der Doort, A Catalogue and Description of King Charles the First's Capital Collection of Pictures, Limnings, Statues, Bronzes, Medals, and Other Curiosities: Now Published from an Original Manuscript in the Ashmolean Museum at Oxford, the Whole Transcribed…by the Late Ingenious Mr Vertue, ed. G. Vertue, London 1757
• 1758
  J. Kennedy, A New Description of the Pictures, Statues, Salisbury 1758
• 1766
  T. Martyn, The English Connoisseur, London 1766
• 1786
  J. Kennedy, A Description of the New Antiquities and Curiosities in Wilton House, Sarum 1786
• 1820
  S.H. Spiker, Travels Through England, Wales and Scotland in the Year 1816, London 1820
• 1836
  J.D. Passavant, Tour of a German Artist in England, London 1836
• 1838
  G.F. Waagen, Works of Art and Artists in England, trans. H. Lloyd, vol. 2, London 1838
• 1854
  G.F. Waagen, Treasures of Art in Great Britain: Being and Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss. […], vol. 2, trans. E. Eastlake, London 1854
• 1882
  G. Scharf, Description of the Wilton House Diptych Containing a Contemporary Portrait of King Richard II, London 1882
• 1895
  C. Coupe, 'An Old Picture', The Month, LXXXIV, 1895, pp. 229-42
• 1907
  N. Wilkinson, Wilton House Pictures: Containing a Full and Complete Catalogue, London 1907
• 1909
  L.H. Cust, 'Portraits of Richard II', in Exhibition Illustrative of Early English Portraiture, London 1909, pp. 16-22
• 1928
  A.E. Popham, 'The Wilton Diptych', Apollo, VIII, 1928, pp. 317-8
• 1929
  W.G. Constable, 'The Date and Nationality of the Wilton Diptych', The Burlington Magazine, LV/316, 1929, pp. 36-45
• 1929
  M. Conway, 'The Wilton Diptych', The Burlington Magazine, LV/320, 1929, pp. 208-12
• 1929
  H. Thurston, 'The Wilton Diptych', The Month, 1929, pp. 27-37
• 1929
  G. Vertue, 'Vertue Note Books, I', The Walpole Society, XVIII, 1930
• 1931
  A.C. Barnes and V. de Mazia, The French Primitives and Their Forms, Merion 1931
• 1931
  P.-A. Lemoisne, Gothic Painting in France. Fourteenth and Fifteenth Centuries, Florence 1931
• 1931
  C.R. Beard, 'The Wilton Diptych: English!', The Connoisseur, 1931
• 1931
  M.V. Clarke, 'The Wilton Diptych', The Burlington Magazine, LVIII, 1931, pp. 283-94
• 1933
  F.H. Cripps-Day, 'The Wilton Diptych: English!', The Connoisseur, XCI, 1933, pp. 167-9
• 1934
  W. Shaw, 'The Early English School of Portraiture', The Burlington Magazine, LXV, 1934, pp. 171-84
• 1935
  G. Vertue, 'Vertue Note Books, IV', The Walpole Society, XXIV, 1936
• 1936
  T. Borenius, 'Das Wilton Diptychon', Pantheon, XVIII, 1936, pp. 209-14
• 1942
  V.H. Galbraith, 'A New Life of Richard II', History, XXVI/104, 1942, pp. 223-39
• 1946
  Martin Davies, National Gallery Catalogues: French School, London 1946
• 1947
  T. Bodkin, The Wilton Diptych, London 1947
• 1948
  J. Evans, 'The Wilton Diptych Reconsidered', Archaeological Journal, CV, 1948, pp. 1-6
• 1949
  J. Harvey, 'Letter: The Wilton Diptych', The Month, II, 1949, pp. 433-5
• 1949
  E.W. Tristram, 'The Wilton Diptych, I', The Month, 1949, pp. 379-90
• 1950
  E.W. Tristram, 'The Wilton Diptych, II', The Month, 1950, pp. 18-36
• 1950
  E.W. Tristram, 'The Wilton Diptych, III', The Month, 1950, pp. 234-8
• 1951
  M.C. Bradbrook, Shakespeare and Elizabethan Poetry, London 1951
• 1952
  M. Galway, 'The Wilton Diptych: A Postscript', Archaeological Journal, CVII, 1952, pp. 9-14
• 1953
  E. Panofsky, Early Netherlandish Painting: Its Origins and Character, Cambridge 1953
• 1954
  M. Rickert, Painting in Britain: The Middle Ages, Harmondsworth 1954
• 1954
  F. Wormald, 'The Wilton Diptych', Journal of the Warburg and Courtauld Institutes, 1954, pp. 191-203
• 1955
  E.W. Tristram, English Wall-Painting of the Fourteenth Century, London 1955
• 1957
  Martin Davies, National Gallery Catalogues: French School, 2nd edn (revised), London 1957
• 1958
  O. Millar, 'Abraham van Der Doort's Catalogue of the Collections of Charles I', The Walpole Society, XXXVII, 1960, pp. 1-249
• 1961
  J.H. Harvey, 'The Wilton Diptych: A Re-Examination', Archaelogia, XCVIII, 1961, pp. 1-28
• 1971
  S. Whittingham, 'The Chronology of the Portraits of Richard II', The Burlington Magazine, 1971
• 1976
  T. Borenius and E.W. Tristram, English Medieval Painting, New York 1976
• 1980
  D. Sutton, 'The World of Sacheverell Sitwell - Part II', Apollo, 1980
• 1981
  S. Whittingham, 'The Date of the Wilton Diptych', Gazette des beaux-arts, XCVIII, 1981, pp. 145-50
• 1981
  M. Bath, 'The White Hart, the Cerf Volant, and the Wilton Diptych', in Third International Beast Epic, Fable, and Fabliau Colloquium, Cologne 1981, pp. 24ff
• 1986
  M. Scott, A Visual History of Costume: The Fourteenth and Fifteenth Centuries, London 1986
• 1987
  M. Bath, 'Imperial renovatio Symbolism in the "Très riches heures"', Simiolus, XVII/1, 1987, pp. 5-22
• 1987
  S. Ferris, 'The Wilton Diptych and the Absolutism of Richard II', Journal of the Rocky Mountain Medieval and Renaissance Association, VIII, 1987
• 1987
  P. Tudor-Craig, 'Panel Painting', in J.J. Alexander and P. Binski (eds), Age of Chivalry: Art in Plantagenet England, London 1987, pp. 131-6
• 1988
  M.-H. Santrot, Entre France et Angleterre: Le duché de Bretagne: Essai d'iconographie des ducs de Bretagne, Nantes 1988
• 1988
  C.T. Wood, Joan of Arc and Richard Iii: Sex, Saints, and Government in the Middle Ages, New York 1988
• 1988
  J. Mills and R. White, 'Analyses of Paint Media', National Gallery Technical Bulletin, XII, 1988, pp. 78-9
• 1990
  A. Dülberg, Privatporträts: Geschichte und Ikonologie einer Gattung im 15. und 16. Jahrhundert., Berlin 1990
• 1991
  J. Dunkerton et al., Giotto to Dürer: Early Renaissance Painting in the National Gallery, New Haven 1991
• 1992
  M. Bath, The Image of the Stag: Iconographic Themes in Western Art, Baden Baden 1992
• 1992
  R. Lightbown, Mediaevel European Jewellery, with a Catalogue of the Collection in the Victoria and Albert Museum, London 1992
• 1992
  D. Gordon, 'A New Discovery in the Wilton Diptych', The Burlington Magazine, CXXXIV/1075, 1992, pp. 662-8
• 1992
  S. Wright, 'The Author Portraits in the Bedford Psalter-Hours: Gower, Chaucer and Hoccleve', British Library Journal, XVIII, 1992, pp. 190-201
• 1993
  M. Bailey, 'Two Kings, Their Armies, and Some Jugs: The Ashanti Ewer', Apollo, CXXXVIII, 1993, pp. 387-90
• 1993
  M.O. Renger, 'The Calvary of Hendrick van Rijn', Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen, 1993, pp. 9-45
• 1993
  P. Taglianini, 'Il dittico Wilton. Lo stato degli studi sul problema iconologico e storiografico', Storia dell'arte, 1993, pp. 134-55
• 1993
  D. Gordon, The Wilton Diptych (exh. cat. The National Gallery, 15 September - 12 December 1993), London 1993
• 1994
  H. Belting and C. Kruse, Die Erfindung des Gemäldes: Das erste Jahrhundert der niederländischen Malerei, Munich 1994
• 1994
  G. Freuler, Bartolo di Fredi Cini, Disentis 1994
• 1994
  P. Binski, 'Tagungen: The Wilton Diptych and Court Art in the Reign of Richard II: Symposium, London, the National Gallery, November 5-6, 1993', Kunstchronik, 1994, pp. 188-90
• 1994
  U. Ilg, 'Ein Wiederentdecktes Inventar der Goldschmiedearbeiten Richards II. von England und Seine Bedeutung für die Ikonographie des Wiltondiptychons', Pantheon, 1994, pp. 10-6
• 1994
  R. Godfrey, Wenceslaus Hollar: A Bohemian Artist in England (exh. cat. Yale Center for British Art, 16 November 1994 - 22 January 1995), New Haven 1994
• 1995
  P. Binski, Westminster Abbey and the Plantagenets: Kingship and the Representation of Power 1200-1400, New Haven 1995
• 1995
  R. White and J. Pilc, 'Analyses of Paint Media', National Gallery Technical Bulletin, XVI, 1995, pp. 85-95
• 1996
  U. Ilg, Das Wiltondiptychon: Stil Und Ikonographie, Berlin 1996
• 1996
  R. Godfrey, 'Hollar's Prints for the Earl of Arundel: Copies of Lost Works from the Arundel Collection', Apollo, CXLIV/414, 1996, pp. 36-8
• 1996
  E.L. Scheifele, 'The Artistic Patronage of Richard II: Court Style or Court Image', in D.G. Wilkins and R.L. Wilkins (eds), The Search for a Patron in the Middle Ages and the Renaissance, Lewiston NY 1996, pp. 63-77
• 1997
  R.W. Sullivan, 'The Wilton Diptych: Mysteries, Majesty, and a Complex Exchange of Faith and Power', Gazette des beaux-arts, 1997, pp. 1-18
• 1997
  C. Vannutelli, 'Nuove indagini sul dittico Wilton', Arte Cristiana, 1997, pp. 173-8
• 2001

  C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001

• 2004
  P. Nuttall, From Flanders to Florence: The Impact of Netherlandish Painting, 1400-1500, New Haven 2004
• 2024
  The National Gallery, National Gallery Catalogues: Online Entries for Individual Paintings, London 2024