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Synopsis:

London, 1939. They’re two beautiful and ambitious young women: Eva Harlow, and her best friend and roommate, Precious Dubose, an American native of Georgia. They are trying to make their way as fashion models when Eva meets and falls in love with Graham St. John, a Royal Air Force pilot from an aristocratic family. Eva is deliriously happy at her change of luck — she’s finally getting everything she ever wanted. But war is imminent and Eva finds herself in a dangerous web of intrigue, spies, and secrets. As bombs beginning dropping on London, Eva struggles to protect her friendship with Precious, relationship with Graham, and all that she holds dear. Because just one unwary moment could change all of their lives forever.

London, 2019. Maddie Warner’s life has been forever marked by the tragic loss of her mother. She hails from a tiny town in Georgia, but has been living in New York City, working as a journalist for several years. She is enlisted to travel to London to interview Precious about her life in pre-World War II London and write a piece about how fashion was influenced by the war.

Maddie has long closed herself off to others, determined that a long-term relationship in not in her future, but as she gets to know Precious, now ninety-nine years old and in fragile health, she finds that Precious’s grief rivals her own. Unlike Maddie, though, Precious hasn’t allowed grief to crush her spirit. Maddie is drawn to both Precious and Colin, Precious’s enigmatic surrogate nephew, with whom Maddie is reunited for the first time since their college days. Maddie conducts research for the article she is going to write, she and Precious grow close and she begins to unravel Precious’s haunting past. She finds that Precious’s story is one of friendship, betrayal, and unremembered acts of kindness and love.

Review:

Author Karen White

New York Times bestselling author Karen White delivers a richly emotional, absorbing story about two women, members of the Greatest Generation, whose lives and futures were forever changed by ambition, friendship, war, and betrayal.

As a teenager living in London, White learned that many of the windows in Harley House, where her family’s flat was located, were shattered during the Blitz, cementing in her a “lasting impression of history as a living thing, and how the past is always present.” As a result, she was inspired to learn more about the history of places she visited and lived, and, eventually, write about it. During World War II, London was subjected to bombing almost on a nightly basis for nine months — fifty-seven consecutive nights. Nearly 43,000 civilians were killed and over 139,000 were wounded. Inspired by Winston Churchill to keep calm and carry on, White says they exhibited “remarkable grit, resilience, and bravery. I wanted to write a book about these survivors, to delve a little deeper into their world and tell a little piece of their story.”

That story opens in February 1939. Eva and Precious share a small flat and work as models for Madame Lushtak, whose wealthy clientele are able to afford designer gowns to wear to their society affairs. Eva adores beautiful things and aspires to live the kind of life Madame Lushtak’s customers lead, accepting damaged clothing and cosmetics from their kind makeup artist, Mr. Danek, who is originally from a small Czechoslovakian town near Prague. He presciently warns Eva that “bad things usually happen when we’re not paying attention.” Eva works diligently to modify her accent and never give away the truth about her background: she is the daughter of an illiterate laundress in Muker in the Yorkshire Dales. Eva’s father, an abusive drunk, was eventually incarcerated and Eva sends money to her mother every week. Indeed, Eva is not her real name, but one she adopted because it sounded more sophisticated than Ethel. She is formidable and determined to reinvent herself.

The course of Eva’s future is set the day she and Precious model gowns for Sophia St. John and her mother. Sophia is engaged to David Eliot, and her brother, Graham, accompanies the women to the showroom. A few days later, when Graham and Eva meet again on the street and recognize each other, their relationship begins. She concocts a story about her upbringing, confident that if Graham knew the truth about her family he would never be interested in her — and his family would shun her. Soon she is re-introduced to Sophia, along with David and his old friend from school, the striking Alexander Grof. Eva is immediately unsettled by the way Alex looks at her with his piercing gray eyes that seem to see right through her. “He was an attractive, magnetic man, but he was like the luscious red apple hanging from the tree, beautiful to look at, possibly poisonous if eaten.” She has no way of knowing at that moment that he will play a prominent role in her life.

White relates that the friendship of Eva and Precious, which is the centerpiece of The Last Night in London, was inspired by her relationship with her own best friend. The two met in London when they were sixteen-year-old juniors in high school and remain best pals. She fashioned the relationship of Eva and Precious after their personalities and interactions, explaining that while her friend is “very calm, I can be very dramatic and excitable. We fit together nicely, complimenting each other’s personalities,. . .” Precious likewise tries to keep Eva grounded when her fanciful and lofty dreams threaten to carry her too far from reality. But she is happy for Eva when she meets Graham.

The story was also inspired by readers clamoring for the completion of Maddie Warner’s story. Maddie was a teenager when she appeared in two of White’s previous novels, Falling Home and After the Rain. Their urging dovetailed with White’s desire to craft a story featuring an American living in London. So in a separate first-person narrative, commencing in May 2019, Maddie arrives in London to collaborate with her long-time friend Arabella to interview Precious, sort through her collection of vintage clothing and select pieces for an exhibit on 1940s fashion at the Design Museum, and write the accompanying article. Maddie quickly realizes that, although physically frail, Precious’s memories are intact . . . and punctuated by grief. Precious instantly recognizes that she and Maddie have a great deal in common, insightfully asking Maddie if she lost someone she loved and observing, “Whoever said time heals all wounds is a liar. Grief is like a ghost, isn’t it? Haunting our reflections.”

White deftly alternates the narratives, detailing the experiences of Eva and Precious as England inches closer to a declaration of war on Germany, while, in 2019, Maddie is assisted by Arabella and Colin in her quest to learn the fates of Eva and Graham. Precious maintains only that she lost touch with them. “It was the war, you see. So easy to lose touch with friends.” And Precious is not forthcoming with details about what happened to her and her friends during those fraught days before they were finally separated from each other, cryptically observing that “just because a person is lost doesn’t mean they want to be found.” Maddie ponders whether Precious has actually been waiting to be set free of her ghosts while there’s still time, even as the ghost of her own mother’s demise and memory have fueled the decisions she has made about her own life. Or perhaps Precious is trying to teach Maddie a lesson about introspection and self-discovery so that she can learn from Precious’s mistakes. Precious tells her, “When you live your life looking backward, thinking of all the ways you could have or should have done things differently, of the infernal unfairness of life, you end up running into the brick wall of old age, having learned nothing but the futility of it all.”

Eva learns that first impressions are usually accurate and one can never fully escape their past as, largely due to her naivete, she is involuntarily entangled in a dangerous web of espionage, deceit, and despair. As White reveals the pre-War developments, she injects clues that inform the modern-day search for the truth, cleverly linking the storylines and compelling both forward,  sparking readers’ interest in their resolution. As Maddie sorts through Precious’s things, she strives to understand why they represent the memories she hung on to and whether the items she finds actually belonged to Precious . . . or if at least some of them were Eva’s.

Of course, it wouldn’t be a Karen White novel without romance, and she compassionately reveals Maddie’s inner torment as her attraction to Colin grows. Maddie decided long ago not to risk a long-term, committed relationship because she believes she knows how her own story will play out. But she finds it increasingly difficult to deny her deepening feelings for Colin. Meanwhile, her Aunt Cassie constantly calls and texts, seeking updates about Maddie’s romantic life and insisting that she come home to Georgia to attend her sister’s wedding. Aunt Cassie reminds her that “home is the place that lives in one’s heart, waiting with open arms to be rediscovered.” Their exchanges are frequently hilarious, affectionate, and thoroughly relatable.

White says she hopes readers of The Last Night in London will gain “a new awareness of the sacrifices and bravery of ordinary people who would not surrender even during a time of great strife.” The story of Eva, Precious, and Graham is heartbreaking and haunting, populated by a cast of supporting characters who are equally fascinating and play important roles in plot developments. Readers may figure out the tale’s biggest twist quickly, but that doesn’t detract from the enjoyment of discovering how expertly White has constructed a complicated story set in two different time periods.

White has many devoted fans and, for them, The Last Night in London will not disappoint. But she will undoubtedly garner new readers because of the masterful and captivating way she relates a story of friendship, sacrifice, selflessness, betrayal, grief, and, ultimately, love. And illustrates that, in order to reinvent oneself, it is only necessary to believe we are worthy of love.

Excerpt from The Last Night in London

CHAPTER 1

London

~~ May 2019 ~~

The plane jolted and bumped down the runway at Heathrow, the usual rain of a gray London morning spitting on the windows, a timid sun doing its best to push aside the clouds. The plane finally rocked to a stop and its travel-weary passengers stood in the aisles and began pulling cases from the overhead bins, the sound of zippers and latches filling the rows like a choreographed routine to signal the end of a journey. I remained in my seat, my recent dream still lingering, recalling the images of the old magnolia tree and the large white columns of my aunt Cassie’s house and the red flowers she planted along the front steps each year in memory of my mother.

A polite throat clearing brought my attention to the aisle, where the line of passengers waited for me to exit. I nodded my thanks, grabbed my backpack from beneath the seat in front of me, and headed for the exit, my thoughts still clinging to the place I’d called home for the first eighteen years of my life and where, if pressed, I’d still tell people I was from. Which was stupid, really. I’d been living in New York for seven years and hadn’t been back to Georgia for the last three, with no plans to return anytime soon.

I turned on my cell phone as I made my way toward the baggage claim. My phone dinged with five texts: one from my father; one from my stepmother, Suzanne; one from my sister Sarah Frances; one from Aunt Cassie; and the most recent from Arabella, my friend from my junior year abroad at Oxford and the reason I was in London now.

I opened my phone to read Arabella’s first, smiling to myself as I saw that she’d been following my flight on her phone app and knew I’d landed and that she was waiting in the short-stay car park. I was to text her when I’d passed through passport control so that she could meet me outside Terminal 2. It was typical Arabella, the kind of person whose organizational skills were simultaneously helpful and annoying. Despite her thriving career as a fashion editor at British Vogue, her main job seemed to be organizing the social calendars and lives of her large circle of friends.

I tossed my phone into my backpack, deciding the other texts could wait, and joined the throngs of people walking through passport control and customs, then began texting Arabella as I made it outside. I had barely typed my first word when I heard the rapid beeps of a car horn. I looked up to see my friend in a red BMW convertible-a hand-me-down from her mother that she’d driven while in college. The top was lowered despite the threatening skies, so I could see her curly hair creating a blond halo around her pixielike face. She looked like a Barbie doll, an image she liked to cultivate if only because it hid her sharp wit and killer intellect.

I did a quick double take at the large animal sitting in the driver’s seat, my mind processing the image before I could remember that the British drove on the wrong side of the car and the wrong side of the road and realize that the dog wasn’t actually driving.

“Maddie!” my friend shouted as the car screeched to a stop, her door opening at the same time. She ran toward me with very un-British-like enthusiasm and threw her arms around me.

“It’s been ages!” She hugged me for a long moment, then smiled brightly as she held me at arm’s length. “Still gorgeous, Maddie. And still wearing your same uniform of jeans and button-down shirt.”

I pulled back, grinning. “You’re just jealous because it only takes me five minutes to get dressed in the morning.”

“Oh, Maddie,” she said in the prim-and-proper accent that I loved mimicking almost as much as she enjoyed imitating my Southern accent. “What am I to do with you?” She looked behind me and frowned at the small suitcase sitting by itself. “Where’s the rest of your luggage?”

I took in her leopard-print jumpsuit and stilettoes with grudging admiration. I loved trendy clothes-as long as someone else was wearing them. My toes ached in sympathy as I estimated the height of her heels. “My laptop and camera are in my backpack, and my clothing is in the suitcase. Don’t worry. All the jeans are clean, and I brought one dress. You said it shouldn’t take more than a couple of weeks, but I brought enough underwear for three just in case.”

“Yes, well, Jeanne Dubose modeled for Coco Chanel in Paris. She might be an easier subject if you dressed as if you cared.”

“I do care-about the story and writing it to the best of my ability. Not about what I’m wearing when I’m interviewing a subject. Besides, Jeanne Dubose is ninety-nine years old. I doubt she’ll even notice.”

Arabella opened the trunk of her car, still frowning. “Whatever you do, don’t call her old. It doesn’t suit her. I’ve known her all of my life, and even as a child, I never thought of her as old. But she’s your relation, so you probably already know that.”

“A very distant relation, and I’ve never met her, remember? Her side of the family moved to Tennessee from Georgia right after the American Civil War, so I can’t say our families are close. In fact, I wouldn’t even know we were related if my sister hadn’t done one of those ancestry searches and found them. Miss Dubose is my fourth cousin twice removed or something like that, which means I’m already forgiven for referring to her as old because we’re not just family but Southern. She’ll say, ‘Bless your heart,’ and move on.” I lifted my suitcase and placed it in the tiny trunk, keeping my backpack with me.

“Yes, well, I’ve never heard her say, ‘Bless your heart.’ I have heard her say, ‘Are you sure you want to wear that?’ more times than I’d like to admit.” Arabella shut the trunk. “You must be exhausted. Let’s get you to Miss Dubose’s flat so you can have a quick lie-down. I wanted you to stay with me, but Miss Dubose was insistent. She’s got a large flat, and she rarely leaves her suite. She has full-time nursing care, so there’s nothing you have to do except to interview her about her modeling days and the gorgeous vintage clothes we’ve pulled together from storage. And there’s a lovely desk in the front room you can use to write. The museum exhibition isn’t until July, and I’d like to run the article concurrently with its opening. It’s not exactly crunch time, but I’d rather not wait.” She paused. “Maddie, Miss Dubose isn’t in the best of health, so I thought the sooner the better. I already have a title for the exhibition and the article, but you’re the writer, so you can change it if you don’t like it.” She cleared her throat. “‘Furs, Gowns, and Uniforms: The Changing Role of Fashion in a World at War.'”

“It’s a little clunky, but it has a certain ring to it,” I said, moving to the side of the car. “I won’t know until I interview Miss Dubose and start writing. But it sounds like I’ll have lots of peace and quiet without interruptions while I’m there, so I should be able to get it done in no time. I’ve cleared my calendar and turned in a few other projects early so I won’t feel rushed.”

“Splendid. Although there is one thing . . .” She stopped, smiled.

“One thing?” I prompted.

“Yes, well . . .” She moved to the driver’s side and slid in while I was left staring at the large animal in the passenger seat-either a horse or a dog; I couldn’t tell-whose lolling tongue kept me at a respectful distance.

“Should I sit in the back?” I asked around the dark brown head.

“Oh, gosh, sorry.” She turned toward the beast. “Come on, George.” She reached around and patted the leather of the rear seat.

The dog gave what sounded like a sigh before forcing its girth over the console and between the seat backs to perch itself on the ridiculously small backseat.

“George?” I asked, crawling inside with my backpack and putting on my seat belt.

“After Prince George-they’re the same age apparently. Colin thought that the little prince and the dog had similar expressions.”

“Colin?” I asked, unprepared for the jolt of surprise his name registered. “Your cousin Colin, our schoolmate? Colin who avoided me?”

“Technically, I think he’s my second cousin. His grandfather David-his paternal grandmother, Sophia’s, husband-and my grandmother Violet were siblings.” She avoided looking at me, focusing instead on the gear shift. “And don’t be daft, Maddie. Colin only avoided you because you made it clear you wanted nothing to do with him. You two just . . . Well, you were a bit like chalk and cheese, but I think that was just a matter of two people being separated by the same language.”

“Ha. As if I were the one with the accent.”

Arabella sent me a sidelong glance. “Admittedly, he was a bit miffed that you didn’t say good-bye to him when you left Oxford. He thought you owed him the courtesy of a farewell.”

I sucked in my breath. “I don’t say good-bye to anyone-it had nothing to do with him. I only said good-bye to you because you drove me to the airport. I doubt he remembers that now-or me. It’s been seven years.”

“Yes, well, he’s been in Devon-Salcombe, actually, a nice little resort on the coast-on holiday with friends for the week, and he asked me to watch George. And since . . .” She stopped as if suddenly aware of what she was about to say.

“Since what?”

Arabella made a good show of focused concentration as she pulled out into traffic, nearly sideswiping a taxi. For our survival, I allowed her to wind her way out of the airport traffic, waiting until she was on the A4 before repeating, “And since what?”

She was silent for a beat and then allowed the words to rush out, as if speaking quickly would hinder my interpretation of them. “Since Colin lives with Miss Dubose, I thought I’d kill two birds with a single stone and deliver both you and George at the same time.”

A cold sweat erupted over my scalp. “Excuse me? Colin lives there? In the flat I’m going to be staying in?”

“Yes. They’re very close-Miss Dubose has always been like a grandmother to him. She just dotes on him-he even calls her Nana.”

I couldn’t imagine stony-faced Colin calling anyone by such an endearment. I, for one, had always been Madison to him, a solid brick wall I wasn’t ever likely to scale.

Arabella continued. “Sophia, Colin’s grandmother, owned the flat. When she died, Colin’s parents inherited it. But even when she was alive, Sophia allowed Miss Dubose to live there. They were great friends since before the war. Miss Dubose never married, you see, or had children, so she more or less adopted her best friend’s family as her own. When she went into hospital last month and her doctors told us to prepare for the worst, she asked that Colin move in so that they could spend more time together and he could help get her finances all settled. That’s his specialty, so it made sense.”

“You said she wasn’t in the best of health. So she’s ill?”

“No specific illness, but she’s ninety-nine. Her heart is weak, and her doctors say her body is beginning to shut down. She looks rather good, however. One would have to examine her very closely to agree with them.”

“So Miss Dubose, the nurse, Colin, and I will all be living in the same flat. Together.”

“Precisely. And George, too, don’t forget. It’s a very large flat, and Colin works extraordinary hours, so you’ll probably never run into each other.” She stopped talking as if there wasn’t anything else she needed to explain.

“And you didn’t think to mention this to me before-like when I agreed to come here in the first place? What did Colin say when you told him?”

Arabella kept her eyes on the road in front of her and remained silent.

“Seriously? You didn’t tell him it was me?”

“I told him that a freelance journalist I’d hired to interview Miss Dubose would be staying in one of the spare bedrooms for a fortnight or so. He didn’t have a problem with that.”

“But you didn’t tell him it was me.”

She shook her head. “It didn’t come up.”

“Imagine him not jumping to the conclusion that it would be someone he knew during his university days.” I rolled my eyes even though she couldn’t see me.

Her shoulders sagged slightly under the leopard-skin print. “It’s just that Miss Dubose was so insistent that you stay with her, and it would have been too complicated asking Colin to leave. It’s only a couple of weeks-maybe more if you’d like to stay longer. Surely you two can be cordial for that long.”

I pressed my head against the back of the seat and briefly closed my eyes. “Hopefully, he won’t remember me. I haven’t even thought about him in the last seven years.” That wasn’t completely true, but I would never tell that to Arabella. She had one of those overactive imaginations that created stories where none existed. I always told her that she was unsuited to her role as an editor and should have been writing cozy mysteries instead.

“So Colin has no idea that I’m about to show up on his doorstep.”

“It will be such a surprise, won’t it?” she said.

I shook my head with emphasis. “No, it will be a disaster. I think he dislikes Americans. Or maybe it’s Southern Americans.”

Arabella laughed. “Don’t be daft. Miss Dubose is a Southerner, too, remember – and Colin adores her.”

I didn’t want to admit that I was intrigued by this Southern centenarian and the fact that we were distantly related and would be meeting for the first time in London. I didn’t want to know that Colin adored her and called her Nana. I wanted to turn back to the airport and return to the stable, uneventful life I’d made for myself in New York City, following in the footsteps of my aunt Cassie. Although she was in advertising and I was a freelance journalist, we’d both wiped the red clay of small-town Georgia off the bottoms of our shoes to start new lives in the big city. She’d lasted ten years, and I had every intention of breaking her record.

Excerpted from The Last Night in London by Karen White. Copyright © 2021 by Karen White. Courtesy of Berkley Publishing Group. All rights reserved.
Disclosure of Material Connection: I received one electronic copy of The Last Night in London free of charge from the author via Net Galley. I was not required to write a positive review in exchange for receipt of the book; rather, the opinions expressed in this review are my own. This disclosure complies with 16 Code of Federal Regulations, Part 255, “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”

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