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The Dispossessed (Hainish Cycle) (Cover may Vary) Mass Market Paperback – November 9, 1994
“One of the greats….Not just a science fiction writer; a literary icon.” – Stephen King
From the brilliant and award-winning author Ursula K. Le Guin comes a classic tale of two planets torn apart by conflict and mistrust — and the man who risks everything to reunite them.
A bleak moon settled by utopian anarchists, Anarres has long been isolated from other worlds, including its mother planet, Urras—a civilization of warring nations, great poverty, and immense wealth. Now Shevek, a brilliant physicist, is determined to reunite the two planets, which have been divided by centuries of distrust. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have kept them apart.
To visit Urras—to learn, to teach, to share—will require great sacrifice and risks, which Shevek willingly accepts. But the ambitious scientist's gift is soon seen as a threat, and in the profound conflict that ensues, he must reexamine his beliefs even as he ignites the fires of change.
- Print length400 pages
- LanguageEnglish
- PublisherHarper Voyager
- Publication dateNovember 9, 1994
- Dimensions4.19 x 1 x 6.75 inches
- ISBN-100061054887
- ISBN-13978-0061054884
- Lexile measure820L
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Editorial Reviews
Review
“Le Guin expanded the boundaries of fiction not just by committing to its revolutionary capacities but also by considering deeply, and with great clarity, other ways of being. The Dispossessed, her most intricate and beautifully realized book, channels her lifelong obsessions—Daoism, pacifism, humanity’s sacred relationship to the natural world—into a moving story that is also about loneliness, will, and what it means to return home. More than a novel, this is an ontological work of extraordinary imagination and compassion." — Meng Jin, The Atlantic
“Fifty years later, Ursula K. Le Guin’s novel about utopian anarchists is as relevant as ever. . . . Inexhaustibly rich and wise . . . . The arrow of time has sped forward since 1974, but the circles and cycles of Le Guin’s masterpiece continue to suggest, with urgent humanity, both present and future.” — Scientific American
"The Dispossessed is still one of Sci-Fi's' smartest books. . . . Remains a thoughtful exploration of politics and economics nearly 50 years later." — Wired
“The Dispossessed paints a hopeful and complex portrait of a society rooted in collectivism.” — Naomi Klein, The Week
“Le Guin’s most philosophical novel. . . . The Dispossessed is a study of character, ideology and the constant of change." — New York Times
“Written with thought, care—even love.” — Times Literary Supplement (London)
“Le Guin’s characters, sepecially Shevek and his family, are complex and haunting, and her writing is remarkable for its sinewy grace.” — Time magazine
“Engrossing . . . Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” — Cincinnati Enquirer
“A seamless creation: every thing is made up, nothing seems arbitrary.” — New York Times Book Review
“Brilliantly conceived and stunningly executed . . . The setting is science fiction, but the tradition is humanistic, reducing life to its essentials and examining human beings in a real world.” — Chicago Daily News
“The combination of intelligence and imagination sends ideas dancing endlessly around the brain.” — Christian Science Monitor
“Confirm(s) Ms. Le Guin as one of our finest projectionists of brave old and other worlds.” — Kirkus Reviews
“Excellent characterization and meaningful ideas make this one of the most important [science fiction] novels of the last several years.” — Library Journal
"I would be hard pressed to think of another novel that made as strong an impression on me." — Anthony Ha, author of Love Songs for Monsters
"This remains a challenging and urgent book." — The Guardian
"Deeply worthwhile reading — subtle, challenging, exquisitely crafted." — sfsite.com
"[Ursula Le Guin] . . . is science fiction’s best ambassador to the rest of the world, ever. She has done more to show people why this is an important genre—and maybe the mode of literature we need to navigate our way into a very uncertain future—than anyone else ever will.” — Lisa Yaszek, Professor of Science Fiction Studies in the School of Literature, Media, and Communication at Georgia Tech
"One of our finest projectionists of brave old and other worlds." — Kirkus Reviews
“One of the great American political novels. . . . Full of intrigue and drama.” — Los Angeles Review of Books
From the Back Cover
Shevek, a brilliant physicist, decides to take action. he will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life. Shevek must make the unprecedented journey to the utopian mother planet, Anarres, to challenge the complex structures of life and living, and ignite the fires of change.
About the Author
Ursula K. Le Guin (1929–2018) was a celebrated author whose body of work includes twenty-three novels, twelve volumes of short stories, eleven volumes of poetry, thirteen children’s books, five essay collections, and four works of translation. The breadth and imagination of her work earned her six Nebula Awards, seven Hugo Awards, and SFWA’s Grand Master, along with a PEN/Malamud Award and many others. In 2014, she was awarded the National Book Foundation's Medal for Distinguished Contribution to American Letters, and in 2016, she joined the short list of authors to be published in their lifetimes by the Library of America.
KAREN JOY FOWLER is the author of six novels and four short story collections, including We Are All Completely Beside Ourselves and Black Glass. She is the winner of the 2014 PEN/Faulkner Award, a finalist for the Man Booker Prize, and has won numerous Nebula and World Fantasy Awards.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
There was a wall. It did not look important. It was built of uncut rocks roughly mortared. An adult could look right over it, and even a child could climb, it. Where it crossed the roadway, instead of having a gate it degenerated into mere geometry, a line, an, idea of boundary. But the idea was real. It was important. For seven generations there had been nothing in the world more important than that wall.
Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on.
Looked at from one side, the wall enclosed a barren sixty-acre field called the Port of Anarres. On the field there were a couple of large gantry cranes, a rocket pad, three warehouses, a truck garage, and a dormitory. The dormitory looked durable, grimy, and mournful; it had no gardens, no children; plainly nobody lived there or was even meant to stay there long. It was in fact a quarantine. The wall shut in not only the landing field but also the ships that came down out of space, and the men that came on the ships, and the worlds they came from, and the rest of the universe. It enclosed the universe, leaving Anarres outside, free.
Looked at from the other side, the wall enclosed Anarres: the whole planet was inside it, a great prison camp, cut off from other worlds and other men, in quarantine.
A number of people were coming along the road towards the landing field, or standing around where the road cut through the wall.
People often came out from the nearby city of Abbenay in hopes of seeing a spaceship, or simply to see the wall, After all, it was the only boundary wall on their world. Nowhere else could they see a sign that said No Trespassing. Adolescents, particularly, were drawn to it. They came up to the wall; they sat an it. There might be a gang to watch, offloading crates from track trucks at the warehouses. There might even be a freighter on the pad. Freighters came down only eight times a year, unannounced except to syndics actually working at the Port, so when the spectators were lucky enough to see one they were excited, at first. But there they sat, and there it sat, a squat black tower in a mess of movable cranes, away off across the field. And then a woman came over from one of the warehouse crews and said, "We're shutting down for today, brothers." She was wearing the Defense armband, a sight almost as rare as a spaceship. That was a bit of a thrill. But though her tone was mild, it was final. She was the foreman of this gang, and if provoked would be backed up by her syndics. And anyhow there wasn't anything to see. The aliens, the off-worlders, stayed hiding in their ship. No show.
It was a dull show for the Defense crew, too. Sometimes the foreman wished that somebody would just try to cross the wall, an alien, crewman jumping ship, or a kid from Abbenay trying to sneak in for a. closer look at the freighter. But it never happened. Nothing ever happened. When something did happen she wasn't ready for it.
The captain of the freighter Mindful said to her, "Isthat mob after my ship?"
The foreman looked and saw that, in fact there was a real crowd around the gate, a hundred or more people. They were standing around, just standing, the way people had stood at produce-train stations during the Famine. It gave the foreman a scare.
"No. They, ah, protest," she said in her slow and limited Iotic. "Protest the ah: you know. Passenger?"
"You mean they're after this bastard we're supposed to take? Are they going to try to stop him, or us?"
The word "bastard," untranslatable in the foreman's language, meant nothing to her except some kind of foreign term for her people, but she had never liked the sound of it, or the captain's tone, or the captain. "Can you look after you?" she asked briefly.
"Hell, yes. You just get the rest of this cargo unIoaded, quick. And get this passenger bastard on board. No mob of Oddies is about to give us any trouble." He patted the thing he wore on his belt, a metal object like a deformed penis, and looked patronizingly at the unarmed woman.
She gave the phallic object, which she knew was a weapon, a cold glance. "Ship will be loaded by fourteen hours," she said. "Keep crew on board safe. Lift off at fourteen hours forty. If you need help, leave message on tape at Ground Control." She strode off, before the captain could one-up her. Anger made her more forceful with her crew and the crowd. "Clear the road there!" she ordered as she neared the wall. "Trucks are coming through, somebody's going to get hurt. Clear aside!"
The men and women in the crowd argued with her and with one another. They kept crossing the road, and some came inside the wall. Yet they did more or less clear the way. If the foreman had no experience in bossing a mob, they had no experience in being one. Members of a community, not elements of a collectivity, they were not moved by mass feeling, there were as many emotions there as there were people. And they did not expect commands to be arbitrary, so they had no practice in disobeying them. Their inexperience saved the passenger's life.
Some of them had come there to kill a traitor. Others had come to prevent him from leaving, or to yell insults at him, or just to look at him; and all these others obstructed the sheer brief path of the assassins.
Product details
- Publisher : Harper Voyager; Reissue edition (November 9, 1994)
- Language : English
- Mass Market Paperback : 400 pages
- ISBN-10 : 0061054887
- ISBN-13 : 978-0061054884
- Lexile measure : 820L
- Item Weight : 7.1 ounces
- Dimensions : 4.19 x 1 x 6.75 inches
- Best Sellers Rank: #106,914 in Books (See Top 100 in Books)
- #362 in Science Fiction Short Stories
- #3,679 in Classic Literature & Fiction
- #8,619 in Literary Fiction (Books)
- Customer Reviews:
About the author

Ursula Kroeber Le Guin (US /ˈɜːrsələ ˈkroʊbər ləˈɡwɪn/; born October 21, 1929) is an American author of novels, children's books, and short stories, mainly in the genres of fantasy and science fiction. She has also written poetry and essays. First published in the 1960s, her work has often depicted futuristic or imaginary alternative worlds in politics, the natural environment, gender, religion, sexuality and ethnography.
She influenced such Booker Prize winners and other writers as Salman Rushdie and David Mitchell – and notable science fiction and fantasy writers including Neil Gaiman and Iain Banks. She has won the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award, each more than once. In 2014, she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters. Le Guin has resided in Portland, Oregon since 1959.
Bio from Wikipedia, the free encyclopedia.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book's story compelling, with one noting how it contrasts two different worlds, and appreciate its thought-provoking nature, with one review highlighting its imaginative insights into politics, economics, and human nature. The writing receives mixed reactions, with some praising its masterful prose while others find it challenging to read. The book paints a realistic picture and develops compelling characters, though customers note it has a slow pace.
AI-generated from the text of customer reviews
Customers enjoy the story of the book, finding it compelling with a fantastic plot and an interesting world. One customer notes how it contrasts two different worlds, while another describes it as a rambling narrative packed with timeless ideas.
"...Personally I find this book a good match to our current times...." Read more
"...A must read for any sci-fi enthusiast!" Read more
"...The good: - The new artwork is nice - Original commemorative - No printing errors or badly cut pages -..." Read more
"...What makes these two worlds, and indeed this whole story, timeless is the fact that although this book was written during the Cold War, it would be..." Read more
Customers find the book thought-provoking, with many appreciating its philosophical content and themes. One customer notes its imaginative insights into politics, economics, and human nature, while another describes it as an intellectually riveting journey through social dynamics.
"...Anyway, to recap, I highly recommend this book. It’s thought provoking, challenging to our implicit assumptions...." Read more
"...Sci Fi novels with a focus on action but much more subtle with a focus on political philosophies...." Read more
"...I first read it as a teenager and it opened my eyes to so many ideas...." Read more
"...It is not an easy or entertaining read. It is an essential thought experiment for those interested in the idea of quantum physics as the next..." Read more
Customers appreciate the character development in the book, with one customer noting how it takes time to develop the characters, and another highlighting the fascinating portraits of those involved.
"...Our protagonist is decidedly one of the best developing characters I’ve come across in contemporary literature...." Read more
"...off slow but great character development until at the end, really like the main character. A different type of Sci Fi but would recommend." Read more
"...These weighty ideas fuse astonishingly well with the characters, so it is not a cumbersome read, in that sense...." Read more
"...Unfortunately, despite a strong protagonist, great writing and intriguing ideas, it's a slow read...." Read more
Customers find the book's portrayal realistic, with one customer noting its remarkably honest approach.
"...No printing errors or badly cut pages - The book looks nice without its dust jacket The bad: -..." Read more
"...'s powers on full display, creating a story that manages to be remarkably honest in its take on utopia...." Read more
"...of the text was seriously impeded by poor editing, horrible type face/page layout and misleading cover...." Read more
"...They add to the beautiful fabric of the chronicle." Read more
Customers have mixed opinions about the writing quality of the book, with some praising its masterful prose and considering it the finest novel ever written in English, while others find it occasionally ungrammatical and a challenge to read.
"...I find this a challenging read, on several levels across multiple fields. The informal subtitle is “An Ambiguous Utopia”...." Read more
"...I cannot deny that the book is brilliantly written and executed, but I also cannot deny that the book often feels dull and heavy, like too much to..." Read more
"...It is not an easy or entertaining read...." Read more
"...It is a high IQ read, but at points Le Guin borders on telling more than showing, and some passages and points of dialogue become a bit too preachy..." Read more
Customers have mixed opinions about the pacing of the book, describing it as slow and dragging.
"Not exactly fast paced, but thoroughly enjoyable throughout the story. Highly thought-provoking, and pretty well balanced...." Read more
"...The book is a bit slow going at first, and at points, but it does pick up...." Read more
"...Insider versus outcast. Belonging versus exclusion. Laughably trivial and yet the most important thing in the universe...." Read more
"...Probably the only criticism for this great work is it's pace, but power through because it will be more than worth your investment." Read more
Reviews with images

Brilliant book, unfortunate edition.
Top reviews from the United States
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- Reviewed in the United States on November 14, 2020I read a couple of Le Guin’s book in my mid teens, liked them but shortly after my focus then shifted to nonfiction philosophy, theology, and mysticism. Forty years later I decided to revisit the “science fiction” books from the 1950s to mid 1970s. I’m now reading her works, starting with The Dispossessed.
I’m glad I did.
There are no spoilers in my review that one wouldn’t find from the promotional summary. Just my reactions.
I really enjoyed this and I plan to reread it over time.
I find this a challenging read, on several levels across multiple fields. The informal subtitle is “An Ambiguous Utopia”. I agree it is ambiguous but I find no utopia.
It comes across to me as dystopic. It’s a society founded on anarchic communal ideals, in a backdrop much like the Israeli kibbutzim from the very late 1800s to 1960s. This reflects the hopes of USA counter culture from the mid 1960s to mid 1970s.
The founder intends no hierarchy. This ignores human nature as even within a generation informal cliques become hierarchy. We start over 150 years into its evolution.
Our protagonist is decidedly one of the best developing characters I’ve come across in contemporary literature. Like any good hero journey it’s a series of peaks and lows that push him to a crushing break point that becomes break through.
He’s a survivor who endures precisely because this society is dystopian. It has devolved, all too much like the USSR had thoroughly become by the 1970s.
The other issues explored besides government and sociology include gender as both identity and role, varying forms of child rearing, relationship dynamics, economy and ownership of the means of production. Those are compelling also.
This is probably going to be a hard read for today’s young Progressives and their values regarding feminism. Modern feminism has a thin overlap with the feminism of the 1950s to mid-1970s. The economic sharing aspect would appeal but not the non-property / non-personal ownership. Many will see the ideas Le Guin experiments with as dated, and an appreciable number (if fringe) will be intolerant that historical norms are applicable to their world. Of course I’m speaking broadly.
Personally I find this book a good match to our current times. In terms of values and behavior this time is remarkably similar to the late 1960s through mid-1970s.
Anyway, to recap, I highly recommend this book. It’s thought provoking, challenging to our implicit assumptions.
Please be aware my perspective reflects my personal history as a USA citizen, my cultural exposure as a child of a beatnik and a flower child but who were also profoundly conservative so of course I rebelled by being a moderate liberal. 😉 ✌🏻
- Reviewed in the United States on January 23, 2025Not like other Sci Fi novels with a focus on action but much more subtle with a focus on political philosophies. It did start off slow but great character development until at the end, really like the main character. A different type of Sci Fi but would recommend.
- Reviewed in the United States on February 23, 2025Rereading this book has been a joy! I first read it as a teenager and it opened my eyes to so many ideas. Reading it at forty, it’s still an impressive tour de force, especially in its commitment to putting human nature at the core of its political messaging. A must read for any sci-fi enthusiast!
- Reviewed in the United States on February 22, 2025For those looking for some sense in the chaos of 21st century technological promises and risks in a politically charged world order, and critically dangerous environmental backlash, this is the book that saw the 21st century coming. It is not an easy or entertaining read. It is an essential thought experiment for those interested in the idea of quantum physics as the next frontier; an idea imagined in the 60s and 70s of the 20th century.
- Reviewed in the United States on November 23, 2024This isn't a review of the book (which is brilliant) but specifically of the 50th Anniversary Edition.
Despite the significance of this milestone edition, the publication is disappointingly generic.
I was hoping for a copy I could keep for a long time and pass down. Instead, what we get is essentially a mass-market book with new cover art and an okay-ish foreword from a relatively unknown author.
The good:
- The new artwork is nice
- Original commemorative
- No printing errors or badly cut pages
- The book looks nice without its dust jacket
The bad:
- The dust jacket came damaged
- The jacket folds are misaligned around the cover
- The printing on the jacket is rough and low resolution
- The paint is already flaking off the edges and creases
- The paper is so thin it feels like it'll tear if you look at it wrong
- Despite the new cover art, they didn't include any illustrations or labeled maps of Anarres/Urras inside
In summary:
If you haven't read the book yet, you’ll be better off with a paperback or kindle version.
If you already love the book like I do, there are nicer editions out there more worthy of your attention.
3.0 out of 5 starsThis isn't a review of the book (which is brilliant) but specifically of the 50th Anniversary Edition.Brilliant book, unfortunate edition.
Reviewed in the United States on November 23, 2024
Despite the significance of this milestone edition, the publication is disappointingly generic.
I was hoping for a copy I could keep for a long time and pass down. Instead, what we get is essentially a mass-market book with new cover art and an okay-ish foreword from a relatively unknown author.
The good:
- The new artwork is nice
- Original commemorative
- No printing errors or badly cut pages
- The book looks nice without its dust jacket
The bad:
- The dust jacket came damaged
- The jacket folds are misaligned around the cover
- The printing on the jacket is rough and low resolution
- The paint is already flaking off the edges and creases
- The paper is so thin it feels like it'll tear if you look at it wrong
- Despite the new cover art, they didn't include any illustrations or labeled maps of Anarres/Urras inside
In summary:
If you haven't read the book yet, you’ll be better off with a paperback or kindle version.
If you already love the book like I do, there are nicer editions out there more worthy of your attention.
Images in this review
Top reviews from other countries
- Fraser SimonsReviewed in Canada on May 31, 2018
5.0 out of 5 stars Incredible book
“You cannot buy the revolution. You cannot make the revolution. You can only be the revolution. It is in your spirit, or it is nowhere.”
The anarchist collective on the planet Anarres migrated from the propertarian, capitalist planet of Urras when a previous revolution occurred. Rather than continue to contend with them, they have gifted this planet. Then, using the teachings of Odo, the center point of this revolution and who ostensibly is also responsible for structuring this anarcho-syndicalist society experiment, they establish this new way of living; retreating into themselves for generations.
“For we each of us deserve everything, every luxury that was ever piled in the tombs of the dead kings, and we each of us deserve nothing, not a mouthful of bread in hunger. Have we not eaten while another starved? Will you punish us for that? Will you reward us for the virtue of starving while others ate? No man earns punishment, no man earns reward. Free your mind of the idea of deserving, the idea of earning, and you will begin to be able to think.”
When Shavek, considered a brilliant and unparalleled physicist on both planets, decides to make the journey to Urras in order to finish his work, he must first figure out his place in a new society at odds with his way of life and way of thinking.
“You can’t crush ideas by suppressing them. You can only crush them by ignoring them. By refusing to think, refusing to change.”
The narrative is very clever, alternating between him negotiating this new space and how this society works and is perceived by an outsider, while also flashing back to his life back in Anarres, slowly exposing the ways in which life oppress and alter the citizens on both planets. There are many astute ways in which the author uses Shavek's own life events to communicate complex ideas and offers the merits of each society while presenting a condemnation of each.
The book is extremely well written and filled with a unique form of prose. The book was a pleasure to read and consume. But part of why I chose this book was to examine it in order to see if this was a proto solarpunk book. There are clear throughlines to cyberpunk, there has, in some ways, never been more of a punk protagonist. An actual anarchist! It's also subversive of typical cyberpunk protagonists generally in it for themselves but punk in that they are against establishment, authoritarianism, and capitalism. In this novel, Shavek is deeply wounded by society. It gets its hooks in him. Twisting his way of thinking and seducing him, attempting to commodify his work and ideas.
One definition of Solarpunk is: a movement focused on a positive, ecological vision for a future where technology is used for human-centric and ecocentric purposes.
So the punk part is pretty clearly covered. Where the solar part comes in is somewhat more questionable for me, initially. Sure the anarcho-syndicalist society is kind of covering that aspect. We could take a lot of those principles and integrate it into an extrapolated version of our own society and get results for a much more sustainable future. However... it's not really technology that's doing this, right? There is little talk of technology at all throughout most of it, in either planets' culture and infrastructure even, beyond trains anyways. Written in 1974, it makes perfect sense that the book certainly wouldn't place any particular significance on these things beyond the physics that Shavek dedicates his life to. But what they are after from Shavek is faster-than-light travel; specifically in their ships, which was given to them by an alien race.
Where this gets somewhat more clear is when another species or aliens are revealed: Terrans. They are Earth decedents which specifically state their planet is all but destroyed. An ambassador situated on Urras is the vehicle for the qualities of most solarpunk stories. A dystopic planet that seeks to get new technologies and cooperations from other forms of life to make their planet better.
“My world, my Earth is a ruin. A planet spoiled by the human species. We multiplied and fought and gobbled until there was nothing left, and then we died. We controlled neither appetite nor violence; we did not adapt. We destroyed ourselves. But we destroyed the world first.”
It is certainly atypical of the emerging genre. But when a lot of the sort-of meta-narrative of all these groups of people and species of humans, and their subsequent societies, are driving at getting this new technology for their own respective reasons. Some to conquer and establish superiority; others to forge a better life, and still, others to never allow for it to exist at all. There ends up being much more of a focus on technology than previously thought.
“Change is freedom, change is life.
It's always easier not to think for oneself. Find a nice safe hierarchy and settle in. Don't make changes, don't risk disapproval, don't upset your syndics. It's always easiest to let yourself be governed.
There's a point, around age twenty, when you have to choose whether to be like everybody else the rest of your life, or to make a virtue of your peculiarities.
Those who build walls are their own prisoners. I'm going to go fulfil my proper function in the social organism. I'm going to go unbuild walls.”
Furthermore, as such a seminal work of fiction, it seems to claim that solarpunk having roots here is highly plausible. It won many awards and was a major contribution to the genre. Before cyberpunk even existed. After it was established, to have a different sub-genre emerge which used this as a foundation instead of other seminal works credited to cyberpunk seems only natural.
It could not be more punk. And it shows optimism in the face of the fear of technology, doing a very good job at exploring the issue more thoroughly than some other cyberpunk works by having whole societies project their uses and desires onto an emerging, game-changing technology only one man, Shavek, can provide; a punk no less, wanting to start a revolution within an anarchist state built from the ground up from it's own revolution.
“It is our suffering that brings us together. It is not love. Love does not obey the mind, and turns to hate when forced. The bond that binds us is beyond choice. We are brothers. We are brothers in what we share. In pain, which each of us must suffer alone, in hunger, in poverty, in hope, we know our brotherhood. We know it, because we have had to learn it. We know that there is no help for us but from one another, that no hand will save us if we do not reach out our hand. And the hand that you reach out is empty, as mine is. You have nothing. You possess nothing. You own nothing. You are free. All you have is what you are, and what you give.”
-
Amazon CustomerReviewed in Spain on February 20, 2013
5.0 out of 5 stars Mi libro favorito
Ursula nos ayuda a imaginar, a lo largo de la historia, cómo sería ese otro mundo posible con el que much@s soñamos. Como dice su subtítulo, es "una utopía ambigua", en el sentido de no dejarse caer en idealizaciones de mundos perfectos y plenamente utópicos. En lugar de eso, nos presenta otra forma de ver y entender nuestro mundo, desde otro mundo que también tiene sus defectos y problemas inherentes. En ciencia-ficción estamos acostumbrados a distopías de mundos horribles que critican aspectos del actual (1984, Un mundo feliz, etc). Por una vez, podemos ver crítica desde alternativas viables en varios campos, y sin tenernos que tragar un ensayo tostón e infumable. Es ciencia-ficción "blanda" así que recomendado también para los no acostumbrados a leer CF. Indispensable, y mi primera recomendación cuando me preguntan qué leer.
- LomaharshanaReviewed in India on October 1, 2022
5.0 out of 5 stars Unputdownable sci-fi, and a deep meditation on the limits of politics
“The Dispossessed” is a 1974 science fiction novel by the American writer Ursula K. Le Guin (1929–2018). The paperback available on Amazon India is a 2002 reprint by the British book publisher Orion, under their well-known sci-fi imprint, Gollancz. This paper is part of a series of sci-fi books that Orion has been publishing since 1999 as part of their “SF Masterworks” series, in which almost 200 books have been published by now. I agree with some other reviewers that the cover of the book is a bit garish. But the inside is classic—reasonably good paper and time-honoured typesetting—so it’s not hard to ignore the outwardly ugliness.
With those petty details out of the way, one can turn to the book itself. It is hard not to recommend “The Dispossessed” strongly. This is top-class, well-crafted literature. The story takes place on the twin planets of Anarres and Urras that are locked in each other’s orbit. Anarres is poor, Urras is rich. Anarres has fewer people, Urras has lots of people. Anarres is just a couple centuries old, Urras is much older. Anarres has a single nation, Urras has several. Anarres is anarchist, Urras is “archist”, with several nations with various kinds of governments. Anarres and Urras avoid all people-to-people contact with each other.
Well, one day, a perceptive physicist from Anarres, Shevek, makes an epoch-making discovery in physics that has far-reaching consequences. It so happens that the process of this discovery also reveals to Shevek the deep problems of anarchism. In a bold move then, he flees to Urras. The novel is about what happens afterwards. There are several passages in the book that make you pause and marvel at the quality of Le Guin’s language. And the depth to which Le Guin takes the discussion of the limits of politics is mind-boggling. This is the real power of sci-fi: its capacity to allow a writer to imagine scenarios that enable such discussions.
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Amazon CustomerReviewed in Brazil on August 14, 2017
5.0 out of 5 stars Um ótimo sci-fi
Escrito durante nos anos 70, no auge da Guerra Fria, a autora faz uma crítica à sociedade econômica e social da época que ainda se mantém muito atual, ao instroduzir contrastes das diversas sociedades que compõem o unvierso do livro. Algo interessante de ser notado é que a autora foge do esteriótipo de sociedade ideal, apresentando conflitos que ainda não foram resolvidos pelas sociedades do livro. O que me interessou foi retratar os personagens como que vivendo em bolhas da sua sociedade, sem perceber o que existe como alternativa. A autora descreve muito bem esse sentimento nas sutilezas das situações apresentadas.
Ótimo como uma crítica à sociedade atual, tanto no sentido de meios de produção, relações sociais e familiares.
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emin yükselReviewed in Turkey on November 7, 2022
4.0 out of 5 stars Baskı kalitesi
Baskı kalitesi 2. Sınıf