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Session Submission Type: Panel
As historians continue to think beyond stagnation as a frame of analysis for the latter decades of the Soviet period, a focus on the village is proving to be a particularly compelling vantage. State and collective farms were consolidated and enlarged, their central farmsteads developed rudimentary urban characteristics, and their youth ventured increasingly to local cities. Consequently, the Soviet village became increasingly intertwined with a common Soviet modernity, and villagers themselves were on the move, in space and time alike. Benefitting from the state’s significant investment in personal and public transportation, villagers were able – despite recurrent technological and logistical limitations – to traverse greater spaces both within and beyond the village and to produce and consume in ways more in line with other citizens. In doing so, rural citizens were forced to recurrently and continuously manage the frictions between the imagined and the actually existing. In creatively engaging the semiotic framework of modern Soviet life within its many practical constraints, villagers also produced themselves, and, in the case of amateur filmmaking, captured this production on film. Treating bicycling, bus-riding, and filmmaking, this panel asks where late-Soviet villagers were and imagined themselves to be going, in the narrowest and broadest senses.
Bike-Sharing, Soviet-Style: Cycling in Urban and Rural Areas after WWII - Olha Martynyuk, Igor Sikorsky Kyiv Polytechnic Institute
'A Melody, the Bus Was Soaring’: Public Transportation and Urban-Rural Convergence after Stalin - Simon Belokowsky, Georgetown U
Village on Celluloid: Filmmaking as Folk Art in the Late Soviet Village - Ekaterina Kurilova, U of Zurich (Switzerland)