The Other Typist

The Other Typist

by Suzanne Rindell
The Other Typist

The Other Typist

by Suzanne Rindell

Hardcover

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Overview

"Take a dollop of Alfred Hitchcock, a dollop of Patricia Highsmith, throw in some Great Gatsby flourishes, and the result is Rindell’s debut, a pitch-black comedy about a police stenographer accused of murder in 1920s Manhattan.... A deliciously addictive, cinematically influenced page-turner, both comic and provocative." —Kirkus Reviews, starred review

For fans of The Talented Mr. Ripley and The Great Gatsby comes one of the most memorable unreliable narrators in years.
 
Rose Baker seals men’s fates. With a few strokes of the keys that sit before her, she can send a person away for life in prison. A typist in a New York City Police Department precinct, Rose is like a high priestess. Confessions are her job. It is 1923, and while she may hear every detail about shootings, knifings, and murders, as soon as she leaves the interrogation room she is once again the weaker sex, best suited for filing and making coffee.

This is a new era for women, and New York is a confusing place for Rose. Gone are the Victorian standards of what is acceptable. All around her women bob their hair, they smoke, they go to speakeasies. Yet prudish Rose is stuck in the fading light of yesteryear, searching for the nurturing companionship that eluded her childhood. When glamorous Odalie, a new girl, joins the typing pool, despite her best intentions Rose falls under Odalie’s spell. As the two women navigate between the sparkling underworld of speakeasies by night and their work at the station by day, Rose is drawn fully into Odalie’s high-stakes world. And soon her fascination with Odalie turns into an obsession from which she may never recover.


Product Details

ISBN-13: 9780399161469
Publisher: Amy Einhorn Books/Putnam
Publication date: 05/07/2013
Pages: 368
Product dimensions: 6.42(w) x 9.26(h) x 1.20(d)
Age Range: 18 Years

About the Author

Suzanne Rindell is a doctoral student in American modernist literature at Rice University. The Other Typist is her first novel. She lives in New York City and is currently working on a second novel.

What People are Saying About This

B. A. Shapiro

The Other Typist is a twisty yarn that drives the reader through the story in a frenzied quest to discover what's real and what isn't. Rose, the unreliable narrator, tells the tale of an even more unreliable woman, and Suzanne Rindell plays them both to perfection. —B.A. Shapiro, New York Times—bestselling author of The Art Forger

From the Publisher

LA Public Library’s Best Fiction of the year:
“It's The Great Gatsby meets The Talented Mr. Ripley in this psychological thriller by first-time author Rindell.”

"Best for those who can't get enough of The Great Gatsby and the Roaring Twenties. . . . This thrilling page-turner cinematically captures the opulence—and sordidness—of the Prohibition Era in New York." —Shape.com

“Take a dollop of Alfred Hitchcock, a dollop of Patricia Highsmith, throw in some Great Gatsby flourishes, and the result is Rindell’s debut, a pitch-black comedy about a police stenographer accused of murder in 1920s Manhattan. . . . A deliciously addictive, cinematically influenced page-turner, both comic and provocative.” —Kirkus Reviews, starred review

"Read The Other Typist. Set in the jazzy 1920s, this super-eerie page-turner about obsession is a striking debut for author Suzanne Rindell." —ELLE (Canada)

"[A] superb debut novel . . . the more we read, the closer we are drawn to the edge of our seat, such is the pull of this fiendishly crafty psychological thriller. . . . The period detail is excellent. . . . Rindell handles the suspense with aplomb. . . . It is not every first novel that can successfully evoke a lost era or recall the cruel machinations and tortuous entanglements of Patricia Highsmith's fiction. But Rindell has done just that. . . . We find ourselves not recoiling but succumbing, even more entranced, and hang on rapt all the way until her last dramatic act." —Minneapolis Star Tribune

"[F]rom the first page [I] was absorbed: I haven't been able to put it down . . . reminds me at points of Notes on a Scandal and Patricia Highsmith, but has creepy charms all its own." —Sadie Stein, The Paris Review

"[A] thrilling story set in glamorous, Prohibition-era Manhattan." —Reader's Digest

"Rindell's debut is a cinematic page-turner." —Publishers Weekly

"It's a riveting ride."—NPR.org

“The suspenseful story will keep you guessing.” —Bookpage

"Revealing that there is a murderous twist in Suzanne Rindell's spellbinder isn't a spoiler but an essential for enjoying the exhilirating buildup." —Daily Candy

“With hints toward The Great Gatsby, Rindell’s novel aspires to recreate Prohibition-era New York City, both its opulence and its squalid underbelly. She captures it quite well, while at the same time spinning a delicate and suspenseful narrative about false friendship, obsession, and life for single women in New York during Prohibition.” —Booklist

"Fans of Patricia Highsmith’s The Talented Mr. Ripley are sure to love Rindell’s debut novel." —Library Journal

"The Other Typist is a thrilling riff on the classic noir and an impressive first novel." —The Christian Science Monitor

"Suzanne Rindell's debut novel is a lush, evocative, darkly comic noir . . . a novel that keeps you turning the pages (and then turning them back again to see if you missed a clue or two). The author is a vivid storyteller; nearly every scene is expertly detailed without being overdone. Rindell brings the Jazz era to life effortlessly. . . . The Other Typist is an easy read and perfect book to start the summer with." —Examiner.com

“This eerie and compelling debut is a riveting page-turner, narrated by a strangely hypnotic yet dubious young woman who works as a typist for the NYPD in the 1920s. Don’t start this novel at night if you need your beauty sleep—you’ll stay up to all hours devouring its pages.” —Alice LaPlante, New York Times–bestselling author of Turn of Mind

“As you read this remarkable first novel you will feel the room temperature drop. It’s chilling till the very end.” —Rita Mae Brown, MFH, Author

“You could make a one-sitting read of The Other Typist: it maintains the riveting dance of question-provoking answers that earn page-turners their name, and Suzanne Rindell’s Jazz Age NYC is gritty, glamorous, and utterly absorbing. . . .Whenever you close the covers, have a book friend handy—you’ll want to talk about The Other Typist.” —Alison Atlee, author of The Typewriter Girl

The Other Typist is a twisty yarn that drives the reader through the story in a frenzied quest to discover what’s real and what isn’t. Rose, the unreliable narrator, tells the tale of an even more unreliable woman, and Suzanne Rindell plays them both to perfection.” —B.A. Shapiro, New York Times–bestselling author of The Art Forger

“Suzanne Rindell messes with your head. The Other Typist pretends to be the story of a nice young woman entering the cutthroat world of police work in 1920’s New York. But it’s New York, not the nice young woman, who should be trembling. I had a blast reading this and had my nerves scrambled by the end.” —Victor LaValle, author of The Devil in Silver

Reading Group Guide

INTRODUCTION

"Take a dollop of Alfred Hitchcock, a dollop of Patricia Highsmith, throw in some Great Gatsby flourishes, and the result is Rindell's debut, a pitch-black comedy about a police stenographer accused of murder in 1920s Manhattan.... A deliciously addictive, cinematically influenced page-turner, both comic and provocative."—Kirkus Reviews, starred review

For fans of The Talented Mr. Ripley and The Great Gatsby comes one of the most memorable unreliable narrators in years.

Rose Baker seals men's fates. With a few strokes of the keys that sit before her, she can send a person away for life in prison. A typist in a New York City Police Department precinct, Rose is like a high priestess. Confessions are her job. It is 1923, and while she may hear every detail about shootings, knifings, and murders, as soon as she leaves the interrogation room she is once again the weaker sex, best suited for filing and making coffee.

This is a new era for women, and New York is a confusing place for Rose. Gone are the Victorian standards of what is acceptable. All around her women bob their hair, they smoke, they go to speakeasies. Yet prudish Rose is stuck in the fading light of yesteryear, searching for the nurturing companionship that eluded her childhood. When glamorous Odalie, a new girl, joins the typing pool, despite her best intentions Rose falls under Odalie's spell. As the two women navigate between the sparkling underworld of speakeasies by night and their work at the station by day, Rose is drawn fully into Odalie's high-stakes world. And soon her fascination with Odalie turns into an obsession from which she may never recover.

ABOUT SUZANNE RINDELL

Suzanne Rindell is a doctoral student in American modernist literature at Rice University. The Other Typist is her first novel. She lives in New York City and is currently working on a second novel.

DISCUSSION QUESTIONS

  • Do you think Rose is a reliable or unreliable narrator? Why? If you did question her veracity, at what point in the novel did you begin to do so?
  • Why is Rose so captivated by Odalie, someone she wholly disapproves of initially?
  • Through Odalie, Rose gains entry into a world she's never seen before, one filled with opulence and rich, glamorous people. Clearly Rose is an outsider who doesn't belong. Yet she seems to take to it all rather quickly. Why do you think this is so? Why, despite all the new people she comes into contact with, is Odalie the only one she seems to be charmed by?
  • Some readers may think that Rose is a lesbian. Do you? Why or why not? Might her Victorian sensibility, when viewed by a contemporary reader, be misinterpreted and sexualized even if it might be innocent and pure?
  • Rose is such a stickler for the rules, yet as the novel progresses, she starts breaking them frequently. In retrospect, do you think she ever follows the rules? Or does she follow only the ones she agrees with?
  • Rose is actually quite funny, an astute observer. ("I crawled into [bed] . . . exhausted . . . from the efforts of making conversation with a man who if he were any duller might be declared catatonic by those in the medical profession.") Why, then, is she so humorless when it comes to people like Iris, Gib, and the Lieutenant Detective, especially?
  • Rose states in the beginning of the book: "I am there to transcribe what will eventually come to be known as the truth." The novel plays with the notion that the written word is superior to the spoken-Rose's transcripts and her diary that the reader is reading, versus the narration she provides throughout the book. Do you think the written word carries more weight than oral history? Why or why not?
  • Consider the many possible story lines for Odalie's history. Did she really kill her ex-fiancé? Was Gib really the driver of the train? Was she indeed a debutante from a wealthy family in Newport? Did she at a young age leave her mother to live with Czakó, the Hungarian, in Europe? Which of these stories is the most plausible? Do you believe any of them is true?
  • What do you make of Rose's appearance? Throughout the novel she takes pains to point out that she is plain-looking. Yet the Lieutenant Detective obviously finds her attractive, and at the end of the book, she is a doppelgänger for Odalie, who is portrayed as a knockout. What do you think Rose really looks like? Should her appearance even matter?
  • When Rose is in the hospital at the end of the book, the doctors call her "Ginevra." That is the name Teddy used for Odalie. Who do you think is the real Ginevra? Are Odalie and Rose the same person?
  • What do you make of the kiss at the end of the novel? Is Rose doing it just to get the Lieutenant Detective's knife, or is there some true feeling behind it? Were you surprised that she admits she's never kissed a man before?
  • What do you believe really happened at the end of the book? Did Rose kill Teddy? Or did Odalie?
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