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The Moonlight Mistress Paperback – November 24, 2009
Even with the memory of Lucilla's lushness ever present, scientist Pascal Fournier is distracted by his reason for being in enemy territory—Tanneken Claes has information Pascal could use against the enemy but, even more extraordinary…she's a werewolf.
After entrusting Pascal with her secret, Tanneken and her mate, Noel, are captured. Suspecting a rogue scientist rumored to have a fascination with werewolves is behind the abduction, Pascal knows he must act fast to save them. He's all too aware of Professor Kauz's reputed perversions and lust for control….
As war rages, Pascal and Lucilla combine efforts to stop Kauz, struggling with danger, power and secret desires transformed by the unyielding hunger for the beating of a lover's heart.
- Print length352 pages
- LanguageEnglish
- PublisherSpice
- Publication dateNovember 24, 2009
- Dimensions5.13 x 0.92 x 8 inches
- ISBN-100373605366
- ISBN-13978-0373605361
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Editorial Reviews
Review
"If I want an interesting story that is nothing like what is out there in the erotic romance aisles, I get that in Victoria Janssen's The Moonlight Mistress." --Mrs. Giggles
"This World War I story has plenty of steam and romance, unusual characters, and all kinds of things that appealed to me." - All About Romance Blog
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
There were no trains to Strasbourg.
The hand-lettered sign on the station wall might be wrong, or something might have changed. She would ask again. Lucilla Daglish clutched her single carpetbag more closely, to protect her scientific glassware from the anxious crowd, but also for reassurance. People jostled past her in every direction, all of them speaking in high-pitched, anxious tones that blurred into a babble conveying nothing but fear. Two different babies wailed, and a larger child screeched between gulping sobs. A fat man, reeking of stale pipe smoke, elbowed her sharply in the kidney as he pushed his way behind her.
Lucilla cursed herself mentally as she tried to explain her problem to the ticket agent. Had the man in the booth needed to know about titration or some other element of practicing chemistry, she could have explained it to him in great detail. However, her more basic conversational German was lacking. Perhaps she had misunderstood his meaning, or he had misunderstood hers. Perhaps her fear had led her to misspeak.
Summoning different German vocabulary, she phrased her question again. She was an Englishwoman. She wished to travel to Paris via Strasbourg. She had a ticket. Here was her ticket. Here were her papers, proving her nationality.
No, it was the gnddige Frau who did not understand. There were no trains to Strasbourg. There were no trains at all. Germany had declared war on Russia. There would be no trains until further orders were received.
"I am not at war!" Lucilla exclaimed in English, knowing the agent would not understand her frustrated outpourings. "Why can I not travel out of this country? Surely you have no use for me here?"
There were no trains today, the agent repeated in German. Perhaps tomorrow. Or the following week. The gna&ige Frau would do well to find a room in the town, before they were all taken.
She could not smash her bag into the ticket agent's smug, condescending face because he would surely call the police. She turned sharply away. She would have to temporarily abandon her trunk here at the train station. She would return to the Institute. Perhaps she could sleep there. She had been a fool to give up her room. An utter fool. But she had not had the money to pay for an entire additional month, as her landlady had insisted, and she was leaving anyway. Or so she had thought.
She had no friends here whom she could approach for help. The other women in the boardinghouse had grouped together at meals, discussing their prospects of marriage or employment. Unlike them, Lucilla was well past the age of marriage, and she was already employed. She had never stayed longer than needed to quickly eat while perusing a journal article; she did not have time for the pleasantries, when the laboratory called to her so passionately. One could not be a friend to one's colleagues, either, when one was a woman, and they were all men who viewed her more like a trained monkey than a chemist. Some of the men would not speak to her at all, even to exchange pleasantries. After six months in Germany, she knew no one whom she might call, even to meet her for a cup of tea.
The sun had set while she fought the crowds inside the station. Even in the dark, the hot, dusty streets were mobbed, three times as crowded as on a normal night. Compared to that morning, the whole town felt alien to her. Boys hawked newspapers on every corner. Men stood and read the papers under streetlights and in the street itself, arguing vociferously, blocking wagons, whose drivers cursed. Singing and pipe smoke, drunken cheers and angry shouts billowed from the open door of a beer garden. Some men walked purposefully, carrying small bundles—soldiers, already? All the women she saw were in a hurry, whether they hefted market baskets or towed children. Their anxiety wormed its way into Lucilla's stomach, and she found herself almost running as she drew closer to the Institute.
The tall iron gates were closed and chained, and the gas lanterns to either side flickered merrily, mocking her.
Lucilla ran forward and grabbed the bars with her free hand. Someone would be within. She shouted. No one answered; not a blade of grass stirred. The windows were all dark. She was sweating in her sober wool suit, but her belly contracted with cold terror. She shook the gate and shouted again. "Let me in!"
"Mademoiselle Daglish?"
Lucilla whirled. A young man loomed behind her. She recalled seeing him at the Institute, marked by his height, his pronounced Gallic nose and a truly spectacular air of untidiness, currently exacerbated by his dusty clothing. Smears of dark grime marked his sleeve and his cheek, just to the left of his unostentatious brown mustache.
He was a visitor like herself, but she had never learned his specialty, or his name. He would know her name because she was the only woman ever to study at the Institute. She took a steadying breath. "Where have they all gone?" she asked in English.
"The entire faculty was summoned to a meeting at the gymnasium. My country being likely soon at war with their country, I fear I am not welcome there, nor are you," the young man said. He spoke English fluently, though with a French accent. From beneath the brim of his hat, he looked her up and down. She had an impression of grim displeasure, though nothing in his voice had revealed it. "You cannot stand here in the street, shouting."
"And I suppose you have a better idea?"
"I have retained an hotel room. I suppose you have not done the same?"
"Such deductive prowess," Lucilla muttered. Her hair was coming unpinned. She shoved the curling strands away from her face, one-handed, and glanced down the deserted street. She had to calm herself and think. "There must be another way out of the country."
"I do not wish to be shot in the dark as a spy because I am in the act of escaping," the Frenchman said. "You must accompany me. You will stay in my room tonight."
"I will do nothing of the sort. Mr.…?"
"I am Fournier. Tomorrow we may consider our dilemma further. Come, we should go." He turned and began walking, not offering to carry her bag. She didn't want to release her bag anyway; it held her precious laboratory notebook as well as her glassware.
She should not go with him. It was quite improper. True, Fournier was younger than she by at least a decade, so she did not fear he had designs upon her. Or not more than a basic level of caution would dictate. But it galled her to be ordered about like a lab assistant.
Lucilla scurried to catch up with him. "I will find my own room," she said. He could ruin her reputation, merely by being seen with her in a hotel.
Fournier snorted. "A woman alone, and a foreigner? Don't be foolish. No one will give you a room."
"A woman might," she pointed out.
"If she had a room to spare. Even early this morning, I had difficulty in procuring lodging for an additional period. You are not the only person who has just discovered there are no trains. Come, we should hurry."
He was correct. And after her long dusty walk to the train station, then her futile longer and dustier walk back to the Institute, Lucilla was in no mood to procure a newspaper, peruse its listings and then perhaps circumnavigate the entire town in the dark, alone and subject to male harassment, in search of a bed. "I wish you weren't right," she grumbled.
Fournier glanced over at her and smiled, a quick flash of white teeth beneath his mustache. For that moment, he looked no older than her baby brother, and twice as dangerous. Then he began walking even faster, and all her energy was consumed in keeping up. If she lost him, she would truly be in the soup.
Fournier ducked into a shop and she followed. He purchased cheese and biscuits, the only available choices. Lucilla realized she had forgotten all about food, but the need would soon become urgent. On the way out of the shop, she halted abruptly; a Polizist was demanding Fournier's papers.
She wasn't sure if approaching was the wisest idea, but Fournier was helping her, and she would not abandon him. She came up beside him just as the Polizist snarled an uncomplimentary phrase and tried to seize her arm. Fournier swiftly intervened, but the Polizist wouldn't release her. She struggled in his gloved grip, dropped her bag and heard the unmistakable shattering of glass.
Fournier shoved the Polizist, hard. "Run!" he said, so she grabbed her bag and ran, her heart pounding, hearing the scuffling behind her. She ran for perhaps a block, enough to soak her in sweat, then flung herself around a corner and peered back. Fournier was fleeing down the street toward her, still clutching the wrapped package of cheese and tin of biscuits. His tie was jerked askew, his hat nearly falling off the back of his head. The Polizist lay curled on the sidewalk. She could hear him cursing.
"This way!" she said, grabbing Fournier's arm. He shook her off but followed her down several alleys. She had no idea where she was leading him, but quick action was paramount. When she could run no more, she flung her back against a wall and gasped for breath. Fournier bent over his knees, panting.
"Are you hurt?" she asked. She felt light-headed and exhilarated at the same time.
He didn't answer her. Eventually, he straightened and said, "This way."
By the time they reached Fournier's lodging, the night seemed even darker. He grabbed her hand and pulled her around the corner of the building, to the servants' entrance. His long fingers engulfed hers. He might be abrupt and overbearing, but he'd rescued her, and defended her against the Polizist. She appreciated his warm and reassuring human touch in the midst of chaos. She was sorry when he let go, glanced around and pushed the door open. "The stairs," he murmured once she was inside. "Second floor."
Fournier's room was last in a poorly lit, narrow corridor. He unlocked the door briskly and pushed her inside before slipping in after her and throwing the bolt. She sighed in relief, then nearly laughed; never before had she considered that being locked in a room with a strange man could be a good thing.
Street noise, the rumble of wagons and voices mingling like a river, pushed in through an open window. Lucilla sought out the light switch with her hand, then was glad she hadn't tried to move farther. She saw scarcely two feet of bare floor, with perhaps another foot covered by an open rucksack and a scatter of notebooks. The room held one narrow bed with an overstuffed mattress, a small table supporting a jug and basin, and an upended steamer trunk. A hook above the trunk supported a single towel. She stood with the rucksack at her feet, near the wall. She could easily sag backward against that cool, comforting plaster and let it support her aching head. Her carpetbag felt as if it weighed a hundred pounds. Her elbows hurt from carrying it.
Fournier, the end of the bed at his back, was so close she could smell sweat and wool and the remnants of lime shaving lotion. He said nothing, instead dropping their dinner on the coverlet and futilely brushing at the dust on his charcoal jacket. He further loosened his navy tie and tossed his hat onto the steamer trunk.
Lucilla wanted to touch him again; an impulse, she was sure, caused by the close quarters and the sudden safety and intimacy implied by a closed and locked door. She was afraid. It had nothing to do with him personally. She worked closely with men every day, but she had never wanted to edge her body closer to any of them. A thought sprang from the depths of her mind. "Where will you sleep?" she asked.
Fournier snorted and shoved his hands into his pockets. "Better to ask, where will you sleep. I believe women are equal to men, and if that is so, then I should not have to yield my comfort to yours. It is hardly my fault you did not have the foresight to retain lodging. Besides, I cannot fold myself into this small patch of floor, and I cannot sleep in the corridor."
His tone was harsh, but he made sense, and there was no use arguing when she agreed with him. Beggars could not be choosers. Lucilla squeezed past him and set her bag atop his steamer trunk. "No, you can't sleep in the corridor," she said after a moment's thought. "Any foreigner is at risk at the moment, and if that Polizist finds us…" She could not deny the hostility and suspicion she'd felt in the air, steadily intensifying over the past few days.
"Many Germans still hate the French. I imagine they will find an excuse to declare war on us soon, and they know all Frenchmen have served their time in the army," he said. "Any one of us might be a soldier."
"Or a spy. This would be a wonderful opportunity to spy, if only I knew what to look for."
Fournier grinned, just as briefly and startlingly as before. He blew breath out his nose, and she decided he was nervous, too. She began to feel more kindly toward him. He said, "Perhaps we will spy on the kitchen later, if we grow weary of cheese and biscuits. There is a bath down the corridor. I will guard the door, if you will do the same for me."
"I have nothing clean to wear," Lucilla said. Thinking she would be leaving today, she'd sent her trunk ahead, and her carpetbag held only toiletries and a change of linen for emergencies. And, of course, broken glass. She supposed it didn't matter so much, not really, but she felt as if more had been broken than her glassware.
Fournier ducked his head. "A shirt," he suggested. As if in afterthought, he added, "I am quite tall enough for it to be decent. Pah! Though why we should be concerned with niceties eludes me. It is obvious we no longer live in a world that rewards us for cherishing such concerns."
Lucilla had no answer for him, not when her shoes chafed, her bust bodice chafed and the collar of her suit jacket chafed worst of all. "Thank you," she said. "Though perhaps you should bathe first. I don't want to guard you wearing only your shirt."
Product details
- Publisher : Spice; Original edition (November 24, 2009)
- Language : English
- Paperback : 352 pages
- ISBN-10 : 0373605366
- ISBN-13 : 978-0373605361
- Item Weight : 8 ounces
- Dimensions : 5.13 x 0.92 x 8 inches
- Best Sellers Rank: #7,075,489 in Books (See Top 100 in Books)
- #7,292 in Historical Erotica (Books)
- #13,563 in Science Fiction Erotica
- #15,512 in Occult Fiction
- Customer Reviews:
About the author

Victoria Janssen [she, her] has been publishing fiction for two decades, and currently writes romance for Kalikoi.
She lives in Philadelphia.
Find out more at her website, www.victoriajanssen.com.
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- Reviewed in the United States on May 16, 2010I picked up The Moonlight Mistress by Janssen thinking it was erotica with paranormal elements and a bit of a historical background, especially after reading the above book description. Instead I found much more. The story begins in Germany right as they invade Belgium and WW-I explodes and introduces the reader to Lucilla and Pascal -- the core couple. However, most of the story takes place in France after the Germans invade that country and as war rages on.
There are multiple protagonists in The Moonlight Mistress and some of them are part of an English battalion fighting in France. The war is not used as background, instead Janssen thoroughly develops the plot and cast of characters while incorporating well-written historical details and making the war part of the story. The reader is right there with those men as they dig ditches, sleep in the mud, and as they experience battles, hunger, losses and small victories. Janssen cleverly integrates the historical details into the paranormal aspect of the book; an unexpected and pleasant surprise.
The erotic scenes are great and don't overwhelm the story, although there are plenty. The couples are all likable and their relationships are thoroughly developed. There are M/F, M/M and M/M/F erotic scenes to go with the storylines Ms. Janssen weaves into The Moonlight Mistress. The M/F scenes start on the warm side with Lucilla and Pascal and get hotter as the story goes on. In the beginning sexual tension is used to develop the M/M relationship, however the sexual encounters are hot from beginning to end as is the M/M/F. You will find that all the female protagonists in the story are either strong women or women with a defined path.
The Moonlight Mistress is a well-written, enjoyable adventure with well-developed characters, hot, erotic encounters, and thorough historical details cleverly incorporated into the overall story.
4.5 Stars
- Reviewed in the United States on June 28, 2010Standing in a German train station attempting to leave for England, Lucilla Osbourne learns that Germany has just declared war on Russia, and that this night begins what we now call the Great War. Lucilla, a 40 year old spinster, is a chemist who has been in Germany working at a scientific Institute on a research project that will enhance pain killing pharmaceuticals. As no outbound trains were leaving, she is turned away and forced to retreat back to the facility. Arriving at the front gate in darkness, she finds it chained tight, with no way inside. Screaming for someone to please let her in, another outsider, a young Frenchman named Pascal Fournier, informs her that all foreign scientists associated with the institute are no longer welcome. With concern she will be sleeping on the street, Lucilla accepts an invitation to join Pascal at his hotel room until they can devise a plan to get out of Germany. In the heat of the night, on this forbidding evening that starts off World War I, these two strangers find intimacy, friendship and passion. In each other's arms and as they drift off to sleep, Pascal lies with a pistol under his pillow and a plan to garner help from a relative's friend that may help them escape. Their night of passion is detailed with one erotic sex scene after another, and the following day has them stealing a car and driving all the way to France accompanied by many stopovers for heated sexual encounters.
Deep in an underground complex beneath the Institute, Herr Krau, a scientist who has proof that werewolves exist, is torturing beautiful Tanneken, a female shapeshifting wolf. He is using her as a lab rat for experimentation. She endures painful imprisonment day after day, and paces the floors hungry for an escape from her hell. He breaks her bones, he shoots her full of bullets, he tempts her with animal and human flesh, all to watch for healing regeneration and to examine the fascinating mysteries of her wolven body.
Along with Lucilla's brother Crispin, many young men of England and France are called to war. Gearing up under hasty training, they board a train to the trenches of horror. Bullets fly, young boys die, yet friendships bind and boys become men. They talk of their mothers, they write letters to their girls, they sit with rifles in hand as they dream of home, and pray the war is swiftly over. Some sit under the stars and talk bravely of their first sexual encounters, they crave whiskey, cigarettes, and the warm touch of a woman's skin. Or in the case of this novel, sometimes a man's skin as well; for this novel serves up many scenes of steamy straight, gay and menage erotica.
Half way through this very unusual story, I decided to throw in the towel. I wasn't sure if I was reading a war novel, a romance novel, or a werewolf book. The different ingredients didn't blend, and the story did not flow for me. It was executed in a very disjointed way without focus. Midway I was very bored, feeling the characters were very lifeless, and I found no interest in them or how their lives would unfold. The writing style of the author is o.k., not fabulous, adequate but not in my opinion polished. It could be that this book was just not to my personal reading taste, but I wonder if maybe the author tried to do too much at once. I give her two stars credit for creativity that's for sure, and the attempt is certainly not a total disaster. I think more focus and character depth would have helped streamline the plot. I believe the story of Lucilla & Pascal and their involvement with the German institute that revolves around the werewolf twist would have been very sufficient. Removing the extensive war sections and keeping that as a background historical event for the time period feel, would have also worked better I think. I wanted to really like this book because I'm so big on authors who have ingenuity and unique story plots to offer, but I just couldn't find enough to keep me heading toward the finish line. On the whole I say "close, but not quite there".
- Reviewed in the United States on December 14, 2009I really enjoyed Victoria Janssen's second Spice novel. The setting of WW1 is unusual for a romance and adding in the paranormal element made it even more intriguing. The author does an excellent job of weaving the chaos of the beginning of the war in France in with the chaos surrounding Pascal's quest for the werewolves and the man who is experimenting on them.
The sex scenes are imaginative and smoking hot and cover all aspects of love. Lucilla makes an excellent strong heroine. In fact, all the women portrayed in this book are strong independent females who survive despite their trials and tribulations. I particularly appreciated that.
Readers should note that there are m/m and m/m/f sexual scenarios in this book.