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Unforgiven (1992)
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Overview
Plot:
Retired Old West gunslinger William Munny reluctantly takes on one last job, with the help of his old partner and a young man. full summary | add synopsisAwards:
Won 4 Oscars. Another 30 wins & 15 nominations moreNewsDesk:
(15 articles)
Still 'Search'ing for an Accurate List of the Greatest Westerns (From Get The Big Picture. 7 July 2008, 12:08 PM, PDT)
Red, White and Blues: Ten Bittersweet Patriotic Films (From IFC. 3 July 2008, 9:11 AM, PDT)
User Comments:
Eastwood & Hackman shine moreCast
(Cast overview, first billed only)| Clint Eastwood | ... | William 'Bill' Munny | |
| Gene Hackman | ... | Little Bill Daggett | |
| Morgan Freeman | ... | Ned Logan | |
| Richard Harris | ... | English Bob | |
| Jaimz Woolvett | ... | The Schofield Kid | |
| Saul Rubinek | ... | W.W. Beauchamp | |
| Frances Fisher | ... | Strawberry Alice | |
| Anna Levine | ... | Delilah Fitzgerald (as Anna Thomson) | |
| David Mucci | ... | Quick Mike | |
| Rob Campbell | ... | Davey Bunting | |
| Anthony James | ... | Skinny Dubois | |
| Tara Frederick | ... | Little Sue (as Tara Dawn Frederick) | |
| Beverley Elliott | ... | Silky | |
| Liisa Repo-Martell | ... | Faith | |
| Josie Smith | ... | Crow Creek Kate |
Additional Details
Also Known As:
The Cut Whore Killings (USA) (original script title)The William Munny Killings (USA) (working title)
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Parents Guide:
View content advisory for parentsRuntime:
131 minCountry:
USALanguage:
EnglishColor:
Color (Technicolor)Aspect Ratio:
2.35 : 1 moreSound Mix:
DolbyCertification:
Canada:13+ (Quebec) | South Korea:15 | Ireland:18 | Canada:PA (Manitoba) | Spain:18 | Philippines:R-18 | Sweden:15 | Canada:A (Nova Scotia) | USA:R (certificate #31757) | Brazil:14 | Canada:AA (Ontario) | Argentina:16 | Australia:M | Chile:18 | Finland:K-16 | Germany:16 | Iceland:16 | Israel:PG | Netherlands:12 | Norway:15 | Singapore:NC-16 | UK:15MOVIEmeter: 
No change since last week
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Fun Stuff
Trivia:
Production designer Henry Bumstead took only 32 days to have the Big Whiskey set constructed, the fastest in his lengthy career. moreGoofs:
Anachronisms: Several of the characters, including Little Bill and William Munny, are seen sometimes wearing shirts that button all the way up the front. This is incorrect for 1880/81, when men's shirts were still of the pullover variety, with or without a collar, and a small buttoned placket at the top. moreFAQ
Does Delilah end up with Davey, the guy who offered her a horse?How much sex, violence, and profanity are in this movie?
Who dies and who kills whom?
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Unforgiven is about as far from the fantasy mythos of A Fistful of Dollars as Clint Eastwood could get. No pin-point accuracy with 19th century technology, no desire to 'play fair' and face the enemy on even terms. If you can shoot him in the back...then do it.
Eastwood puts in an astonishing performance as the retired killer Muny, saved from his life of thievery and murder by his late wife. Now, desperately trying to support his children with no income, he is tempted back to his killing ways by the bounty offered by the women of a brothel, one of whom's number has been savagely beaten and disfigured by a drunken ranch-hand.
The film follows Eastwood as he wrestles with his desire to honour his wife's memory and his need to feed his children by returning to the killer that, he fears, is his true nature. Meanwhile word of the bounty has spread and the events spiral out of control as the sheriff (Gene Hackman) deals with the guns for hire that ride into town.
While all the supporting cast are excellent Gene Hackman's Oscar winning performance even manages to eclipse Eastwoods as the brutal Sheriff. He beats one of the bounty hunters, English Bob (Richard Harris) almost to death and then explains to a journalist, in one of the film's stand out scenes, how men like he and Muny are so successful at killing. The mood moves from light banter to life threatening seriousness...and back again, with just one move of his head.
One of the greatest Westerns ever made? Certainly. Although the fact it's a western is really secondary. In truth it's a tale of the nature of evil and the nature of man. Eastwood uses the gap between the western myth and reality as an arena to play out his story and does so with consummate style.