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The liberation of sound: An introduction to electronic music First Edition
Purchase options and add-ons
- ISBN-100135353939
- ISBN-13978-0135353936
- EditionFirst Edition
- PublisherPrentice Hall
- Publication dateJanuary 1, 1972
- LanguageEnglish
- Print length315 pages
Product details
- Publisher : Prentice Hall; First Edition (January 1, 1972)
- Language : English
- Hardcover : 315 pages
- ISBN-10 : 0135353939
- ISBN-13 : 978-0135353936
- Item Weight : 1 pounds
- Best Sellers Rank: #3,560,304 in Books (See Top 100 in Books)
- #396 in MIDI & Mixers
- #221,107 in Textbooks (Special Features Stores)
- Customer Reviews:
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- Reviewed in the United States on October 16, 2016I originally discovered this book in my library in the mid 90s. 20+ years later, and I've still never found a better written exploration of the roots leading up to our modern explosion. Though its range omits the developments of the 80s and 90s (due to its publication date), this affords it the space to really delve into the opposite end of the timeline -- taking the roots back to the upstart antics of the Romantics and Claude Debussy. Despite predating the developments by 20 years, this book is definitely more Aphex Twin than EDM (focuses more on the experimental drives that resulting to rejecting the 12 tone system of melody, etc).
If you're of the mind to find a symphony in the dissonant edges of a wavefolded sine wave, this history is for you.
- Reviewed in the United States on March 25, 2004Published in 1972, this book gives a very interesting perspective on the evolution of electronic music. It's not a howto book, or a physics book, but an amazing list of composers and their ifluences, from Schubert, back in the 19th century, to Karlheinz Stockhausen, developing new composition paradigms for future composers.
Beyond that, the book reviews various tools and methods develped and used throughout the 20th century and makes the basic concepts of contemporary tools clear.
I recommend this book to every composer who would like to get aquainted with the great (although few) electronic composers of the past, their works and their working methods.