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Barnacle Love Hardcover – March 18 2008
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Like Wayson Choy and David Bezmozgis before him, Anthony De Sa captures, in stories brimming with life, the innocent dreams and bitter disappointments of the immigrant experience.
At the heart of this collection of intimately linked stories is the relationship between a father and his son. A young fisherman washes up nearly dead on the shores of Newfoundland. It is Manuel Rebelo who has tried to escape the suffocating smallness of his Portuguese village and the crushing weight of his mother’s expectations to build a future for himself in a terra nova. Manuel struggles to shed the traditions of a village frozen in time and to silence the brutal voice of Maria Theresa da Conceicao Rebelo, but embracing the promise of his adopted land is not as simple as he had hoped.
Manuel’s son, Antonio, is born into Toronto’s little Portugal, a world of colourful houses and labyrinthine back alleys. In the Rebelo home the Church looms large, men and women inhabit sharply divided space, pigs are slaughtered in the garage, and a family lives in the shadow cast by a father’s failures. Most days Antonio and his friends take to their bikes, pushing the boundaries of their neighbourhood street by street, but when they finally break through to the city beyond they confront dangers of a new sort.
With fantastic detail, larger-than-life characters and passionate empathy, Anthony De Sa invites readers into the lives of the Rebelos and finds there both the promise and the disappointment inherent in the choices made by the father and the expectations placed on the son.
- Print length224 pages
- LanguageEnglish
- PublisherDoubleday Canada
- Publication dateMarch 18 2008
- Dimensions14.1 x 2.29 x 21.72 cm
- ISBN-100385664362
- ISBN-13978-0385664363
Product description
Review
–Colm Tóibín
"Barnacle Loveis a beautiful debut, haunting and elegiac, capturing lives at once as grittily real and as mythic as the sea that forms them."
—Nino Ricci, author of Testament
"Anthony De Sa's dramatic immigrant history is revealed in this series of linked stories often operatic in their tragic proportions and folk-tale in structure. With emotional power, incidents veer daringly in mood from brutal to tender. Anthony De Sa writes of the unbreakable connections between the old and new worlds with a revelatory passion. I have no hesitation in saying his is an astonishing talent."
—Wayson Choy, author of All That Matters
"This collection of linked short stories speaks poignantly about the wrenchingly opposing forces that can tear a family apart." –Edmonton Journal
"A moving and engaging read, its memorable images and heart's woes sometimes visceral in their power." –The Globe and Mail
"A book of exceptional balance. Tender and raw, morbid and surprisingly gentle. [It] will stay with readers long after the closing pages." –The Vancouver Sun
"Poignant....Irresistible." –Toronto Star
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
For nothing is fixed, forever and forever and forever, it is not fixed; the earth is always shifting, the light is always changing, the sea does not cease to grind down rock. Generations do not cease to be born, and we are responsible to them because we are the only witnesses they have. The sea rises, the light fails, lovers cling to each other, and children cling to us. The moment we cease to hold each other, the sea engulfs us and the light goes out.
James Baldwin
~ OF GOD AND COD ~
there is nothing he can do. He is lifted high into the air by the swells that roll, break, and crash upon themselves. His dory is smashed, the flotsam scattered: pieces of white jagged wood afloat, tangled in knotted rope, nothing much to grab hold of before the ocean lifts him higher, only to drop him into its turbulent waters, catching him in the current. Again, he pierces the surface, the biting cold filling his lungs as he coughs and sputters. It is the moment he needs. He reaches into his sweater and draws out the crucifix, which glistens in the moon’s light. He twirls it between puckered fingers, places it in his mouth–between his clicking teeth. He feels its weight and shape cushioned on his tongue, closes his blue lips and allows himself to let go, to sink beneath the foaming surface into the dark molasses sea.
Big Lips. Are you here?
~
The Portuguese call it saudade: a longing for something so indefinite as to be indefinable. Love affairs, miseries of life, the way things were, people already dead, those who left and the ocean that tossed them on the shores of a different land–all things born of the soul that can only be felt.
Manuel Antonio Rebelo was a product of this passion. He grew up with the tales of his father, a man who held two things most sacred, God and cod–bacalhau–and not always in that order. His father’s words formed vivid pictures of grizzled brave fishermen and whale hunters who left their families for months to fish the great waters off Terra Nova, the new land. Visions of mothers shrouded in black, of confused wives–the pregnant ones feeling alone, the others glad for the respite from pregnancy–spun in his mind. And then there were the scoured children, waving in their Sunday finery. The small boys bound in worn but neatly pressed blazers and creased shorts. The little girls scattered like popcorn in their outgrown Communion dresses as they watched their fathers’ ascents onto magnificent ships. In his dreams Manuel saw the men with their torn and calloused hands, faces worn, dark and toughened by the salted mist. As a child he would sit by the cliffs for hours, dangling his bare feet over the side of the hundred-foot drop to the shore, kicking the rock with his pink heels, placing his hands over his eyes to shield the sunlight, already yearning for the fading figures of the White Fleet.
“One day I’ll disappear,” he’d say aloud.
He could make out the faint shadow of a large fish that circled just under the skinned surface of the water.
“Did you hear that, Big Lips?” he shouted.
As if in response, the large grouper seemed to stop. Manuel could see the fish’s fins fanning against the mottled blue and green of the ocean’s rocky shallows. He had once befriended one of these gentle giants. The villagers believed that these fish could live for up to one hundred years. This was in part due to the story of Eduarda Ramos, one of the village midwives, who insisted she had reclaimed her wedding band from the belly of a large grouper her son had caught–fifty-three years after she had lost the ring while cleaning some fish by the shore.
As the large fish swam away and disappeared into the ocean’s darker depths, Manuel couldn’t help but wonder if the fish he had named was still alive. If the fish he had just seen was Big Lips.
Manuel’s yearning became a palpable ache. The Azores held nothing for him. The tiny island of São Miguel was suffocating, lost as it was in the middle of the Atlantic. Early in life he knew the world his mother had formed for him was too small, too predictable. He was the oldest boy. But it wasn’t for this reason alone that Manuel carried the burden of his mother’s dreams. He bore a close resemblance to his father: the liquid steel colour of his eyes, his thick stubborn mound of blond hair, and the round angelic features of his face. The blunt noses, darker skin, and almost black, shrimp-like eyes that adorned his siblings had been borrowed from his mother’s side. Manuel thought they were all pretty and he loved them, but he also knew that in his mother’s mind they held no promise.
“You are your father’s son. He lives in you,” she’d sigh. “You possess his greatness.” Manuel felt her breasts pressed flat against his back, her sharp chin digging into his head. “I can smell it in your breath’s sweetness.”
Maria had plucked Manuel out of her brood and he became the chosen one. Her ambitions for her son were firm rather than clear: Manuel would become a man of importance, learned and respected in the village and beyond. He would have the advantage of private tutors, which meant his siblings would need to keep the bottoms of their shoes stuffed with corn husks to clog the holes and keep their feet dry. Manuel was often ashamed of himself as he walked up Rua Nova with his brothers and sisters, his polished shoes shining like the blue-black of a mussel. He would be taught a rigorous catechism by the village priest, Padre Carlos. The teachings of God would make him fair and virtuous.
“It’s all for you, filho,” she’d say, often in front of her other children as they went about, cowering, in their daily chores. It was only because they loved Manuel and never once blamed him for anything they were denied that he began to resent his mother’s cruelty.
His ten-year-old brother Jose came home one day with a sick calf that he walked through the front door and into their narrow dark hallway. Everyone smiled and watched as the brother who loved animals above anything else tugged at the sickly calf, urged it out the back door toward a patch of tall grass. But the pastoral calm was interrupted by the sharp crack of dry wood. Manuel saw his young brother fall to the packed-earth floor like a ball of dough. His cheek lay pressed against the floor, he was afraid to lift his head. He licked the blood that trickled from the corner of his mouth. Manuel looked to his mother, who held the splintered end of the broom over her shoulder. She picked the boy up by the scruff of his collar and he dangled from her clenched fist.
“You get this filthy beast out of here. This is our home, not a barn,” her voice shook.
Jose turned the nervous animal around and, still in a daze, directed the reluctant calf back out the front door. Albina and the others continued their work. Maria Theresa da Conceição Rebelo sat back down on the chair and poured the beans into the sagging lap of her apron. Manuel picked up the broom. Looking straight at his mother, he flung the broken handle across the kitchen. The stoneware bowls that had been carefully set on the barnboard table smashed. He heard the drawn breaths of his sisters. His mother stood and the beans sprung from her apron across the floor. She cocked her hand over her shoulder. He stood still for what seemed like an eternity, challenging her with his glare. She lowered her arm as he stormed after his brother.
He was twelve then. Manuel vowed that somehow he would make it all better. Freedom would provide opportunities for his siblings. But first, he would have to save himself.
Now, at the age of twenty, Manuel maintained an indifference to Maria’s ambitions. Every spring he would venture to the same spot and perch himself on the overhang. He would look out to the sea, feel the warming winds against his pale smooth skin. His still-boyish cowlick pressed against his forehead. He’d carefully roll each of his socks into a ball, stuff them into his new leather shoes, to kick his now yellowed heels against the cliff wall with a vigour that had only intensified during the months he had spent in the mildewed Banco Micaelense, counting out escudos with a vacant smile, throwing open all windows to breathe in the sea, hearing Amalia’s despair on the radio, her riveting outbursts of emotion. He knew it was time to tell his mother.
“Mãe, I’m going away for a while,” he said.
She continued to hang the laundry on the line, the stubborn stains facing the house, the cleaner sides billowing toward the neighbours. She held wooden clothespins in her mouth–sometimes three at a time–securely between her crowded teeth.
“Mãe, look at me,” he urged. “I need to go. I need to be part of a bigger world. I need to know if there’s room out there for me.”
Her job was only interrupted for a fraction of a second. Manuel realized she had been waiting for this. Only yesterday she had walked into the bank, and he had noticed a disguised sadness in her step as she approached him in his white shirt and tie; she had pressed the shirt that morning and was pleased that the crease in his cuff had held. She continued hanging the clothes as if she hadn’t heard. But Manuel could sense her anger, the disappointment in allowing herself to believe it was possible for her children to want for themselves the same things she did. Maria Theresa da Conceição Rebelo stopp...
Product details
- Publisher : Doubleday Canada
- Publication date : March 18 2008
- Edition : First Edition
- Language : English
- Print length : 224 pages
- ISBN-10 : 0385664362
- ISBN-13 : 978-0385664363
- Item weight : 363 g
- Dimensions : 14.1 x 2.29 x 21.72 cm
- Best Sellers Rank: #1,790,334 in Books (See Top 100 in Books)
- #4,827 in Canadian Literature (Books)
- #11,770 in Short Stories (Books)
- Customer Reviews:
About the author

Anthony De Sa grew up in Toronto's Portuguese community. His short fiction has been published in several North American literary magazines. Anthony's first book, Barnacle Love, was critically acclaimed and became a finalist for the 2008 Scotiabank Giller Prize and the 2009 Toronto Book Award. Anthony's novel, Kicking the Sky, is set in 1977, the year a twelve-year-old shoeshine boy named Emanuel Jaques was brutally raped and murdered in Toronto. Children of the Moon, his third book, was critically acclaimed. He is currently working on a new novel, All the Good Sinners.
Anthony graduated from University of Toronto and Queen's University. He lives in Toronto with his wife and three boys.
@antiole on Substack
Customer reviews
Top reviews from Canada
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- Reviewed in Canada on November 3, 2018Format: HardcoverVerified PurchaseThis is a fantastic read, if you’ve ever immigrated somewhere, if that’s part of your experience, it will resonate with you. It’s funny and relatable, and heartfelt. This should be part of any book lovers collection. I like one of the characters in the authors fictional family came to Canada as a child from Portugal. It made me relive my journey and adapting to a new homeland.
- Reviewed in Canada on November 18, 2017Format: PaperbackVerified Purchasewas not happy with this edition..thin pages and small print..
- Reviewed in Canada on January 5, 2008Format: HardcoverManuel was sent off to fish for his Portuguese village, as all other men and boys do. But he wanted more for his life, and wanted to get away from this life forever. This is the story about him and his family's immigrant experience in Canada.
This is said to be a book of linked stories, however, I read it as a novel. I loved the breath taking descriptions of both Portugal and Canada. Anthony De Sa paints a beautiful, at times haunting portrait of the immigrant experience. With sumptuous prose, he tells of the ups and downs of the Rebelo family. The only thing that I found difficult, is when the narrator changes from father to son, it took me a little while to figure out that the son took over.
That said, I recommend this beautiful small book. In this case, good things do come in small packages!
- Reviewed in Canada on May 25, 2009Format: PaperbackI read this novel because it was a Giller prize finalist. Under normal circumstances, I wouldn't have.
This book follows the ups and downs of a Portuguese family as they make their way from Portugal to Canada, making a new life for themselves. It follows several generations of a family and author De Sa does a good job, I think, of conveying those struggles. On that account, the book is a success.
Where the book falls down is that the story is, in my opinion, dull. There is little to hold the reader's interest, unless you take pleasure in reading about people's lives. But if you are after an exciting page turner, then this book is definitely not for you.
- Reviewed in Canada on June 21, 2010Format: PaperbackSometimes I find myself thinking about my grandfather's old girlfriends. Is that weird? But everything about his life is weird. He died of some mysterious, unspecified illness before I was born, and my father only ever refers to him by his first name, "Kaz." Perhaps these childhood memories have something to do with why I'm tantalized by Anthony De Sa's Barnacle Love. This collection of linked short stories tells the tale of the Rebelo family, beginning with Manuel, a young fisherman, fleeing the insular confines of his Portuguese hometown. He washes up nearly drowned on the shores of Newfoundland, ready to make a new life, but where does he fit in? What does it mean to follow his dreams? Caught between tradition and the surging pulse in his blood, he falls under the spell of a fisherman's daughter, who, despite being a cripple, is strength and sexuality incarnate.... Read my full review at my blog: [...]
- Reviewed in Canada on June 2, 2008Format: HardcoverI could not put this book down. I am a first generation Canadian in Toronto and this book hit home for me. This book tells of the struggles of a Portuguese man and his family in the New World. The story that was told regarding passage to Canada was interesting and gave me some perspective on my parents' sacrifices to come to this country. Also there were stories and details regarding growing up in the 70's that I had forgotten and could relate too. I look forward to reading more from this author. An excellent read!!!
- Reviewed in Canada on June 24, 2009Format: PaperbackThis is a beautiful little book. De Sa's descriptive power, using just the few right words, is great. I really liked the two-part, two-generational nature of the story too.
Top reviews from other countries
- CarinaReviewed in the United States on February 4, 2015
3.0 out of 5 stars Barnacle Love has been sitting on my bookshelf for a couple ...
Verified PurchaseBarnacle Love has been sitting on my bookshelf for a couple of years now. I’m not sure why it took me this long to read it, but this week I became curious and decided to give it a try. Honestly, I expected more. Here are my thoughts:
* I liked the Portuguese words interwoven into the text, especially mãe and filho—words that transmit emotions that can never be translated. (Of course, there was also saudade, but that in itself has become a LusoAmerican writer cliché.)
* Speaking of clichés, I did not like the abused by a priest plotline.
* Although I enjoyed the beginning of the book, I started to lose interest in Manuel as the story progressed. I was annoyed by the jumps in the narrative and was sometimes unsure when exactly things were happening. It’s hard to pinpoint exactly how Manuel became the man he became, and I’d like to know more about the process. The second part of the book, the story of Manuel’s son Antonio, I liked because it is the story of many people I know, the children of immigrants who have to find a balance between two countries and two homes.
* One random pet peeve: I find it hard to believe that this Azorian town was really as backwards as he makes it seem. I mean, it was the 60s and 70s! Were the islands living in a different world from the mainland(?) because things were not like that at all in my tiny town in northern Portugal.
* I expected more from the title “Barnacle Love”—I kept waiting for it to make a comeback in the narrative. Sure, there was a subtle allusion in the second to last story; but I think it was really too subtle. Also, I would have liked to see more emphasis placed on the Big Lips imagery (I hesitate to call it symbolism). Like barnacle love, big lips also never made his way back into the story.
* And, lastly, why must contemporary books about Portugal (or the Portuguese in diaspora) incorporate some aspect of magical realism? (I understand that this is done in the tradition of Jose Saramago, Antonio Lobo Antunes, Lidia Jorge, etc. but it’s time to try something new.) Over it.